
LATEST ADDITIONS
Innuos ZENith Next-Gen Streamer-Server
Though similar in many respects, with a very similar appearance, these two productsthe ZENith Next-Gen and the ZENith Mk.3are very different beasts. There is one rather obvious difference: a CD slot on the Mk.3 (with, of course, a CD drive inside), which makes it easy to rip CDs to the server's internal memory. This feature is absent from the more purist ZENith Next-Gen. But with the Next-Gen you can have your cake and eat it: Attach any USB CD ripper to one of the USB ports, and it will work just the same as the built-in ripper on the Mk.3. The other differences between the Mk.3 and the Next-Gen are less obvious, but those differences go much deeper; see the Details section in this review.
Three Rooms, Three Systems, Zero Dull Moments: American Sound Distribution Grimm, Wadax, Avantgarde, Phasemation, Perpetuum Ebner, Rethm
Everything in Its Rogue Place: Magnepan, Rogue Audio, and Darwin Cables
Two Reeds Don’t Make a Clarinet: AXISS Audio, Air Tight, Franco Serblin, Reed, TARA Labs, Eversolo, Nihon Onkyo Engineering
Got Cash? Magico, D'Agostino, Antipodes, Wadax, Telos, and Vyda Build a $2M Temple of Tone
A Baltic-Kiwi Alliance Pays Off: Silent Pound, Perreaux, Aurender, Titan Audio, Life Audio, and Solid Tech
Songs in the Life of Kii
Watt’s Up? TEAC and Vienna Acoustics Bring World Premieres
My New Album!
When I set out to assemble something musical, I don't think in terms of songs, tracks, or playlistsI'm trying to put together an album. Even more old-school: I'm thinking in terms of an album that has two sides, two parts to the program, like an LP. Figuring out what that program should be takes a long time.
In the case of Fillmore Street/Little Woodstar, I decided on a two-piece set consisting of one old composition and one new one. These two works live in two different musical ballparks. Fillmore Street, on side 1 of the LP, is scored for a jazz orchestra. It tells musical stories about three locations in California. The older work on the album, Little Woodstar, which I composed while in grad school, leans classical.