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Brilliant Corners Tube Power Amp Reviews

Brilliant Corners #7: Dual-Mono Manley Mahi Amplifiers

Alex Halberstadt | Sep 27, 2023 | 0 comments

Writing a regular column can be a funny thing; the repetition it requires brings up questions that grow increasingly urgent. Chief among them: What are we doing here, and what is this for? For all the handwringing about story-telling and prose style, what we're up to in the equipment-review section of this magazine is writing about metal boxes filled with wire, capacitors, circuit boards, and other bits of hardware. Life is difficult and goes by in a flash, love and satisfaction are fleeting at best—so why should we care? Well, because some of these boxes manage to connect us to beauty and meaning in a way that can enhance and gradually change our lives. (And yes, both have to be in the mix: Beauty without meaning is anodyne and lacks whupass.)

My Back Pages

(Re)imagining a Brahms piano quintet—without piano

Laurence Vittes | Sep 26, 2023 | 1 comments

Brahms first scored what was to become his Quintet in F minor, Op.34, for piano, two violins, viola, and cello for two violins, one viola, and two cellos—no piano. The scoring and perhaps the music was inspired by Schubert's similarly piano-less, two-cello Quintet in C major. The original Brahms score has been lost.

Cellist Terry King, a protégé of the great Gregor Piatigorsky and the first American-born teacher to teach a Tchaikovsky Competition Gold Medal winner, long wondered what the original quintet sounded like. He sent me this quote, from Clara Schumann, from just after she read Brahms's original score, playing all the parts on her piano. "What a world of strength and richness there is in the first movement, how the first theme takes hold of one at once," Schumann wrote. "How beautifully it is scored for the instruments! I can see them bowing. Dreamy at times and then the accelerando and [the] wild, passionate ending—it has taken hold of me. And how rapturously the Adagio sings one long melody from start to finish! I play it over and over again and never wish to stop."

King decided that he would recreate the original version of the Brahms quintet.

Solid State Power Amp Reviews

Ayre Acoustics VX-8 power amplifier

Ken Micallef | Sep 22, 2023 | 14 comments

Can an audio brand maintain a "house sound" if the original creator of that sound is no longer among the living? If the brand in question is Ayre Acoustics, the answer is a resounding Yes.

When Ayre founder Charley Hansen passed in late 2017, Ariel Brown, who is now Ayre's vice president and chief technology officer, was ready, waiting in the wings. Brown has worked for Ayre since he was a sophomore in college. As John Atkinson wrote in his February 2019 review of Ayre's EX-8 Integrated Hub, "Brown says that for better or worse, he was indoctrinated in Hansen's way of thinking and design. 'I only know the Charley way! Charley never wanted to introduce a product unless we had something new to offer with that product. 'New–Better–Different' was his philosophy; every product had to be a step up from before.'"

Spin Doctor Turntable Reviews

Spin Doctor #5: Vertere DG-1S record player & Playing 7" Records the Right Way

Michael Trei | Sep 21, 2023 | 7 comments

I have found that turntable designers typically fall into one of two camps. First are what I call the obsessive machinists. These are the people with impressive manufacturing chops and a sharp eye for fine detail and precision. For them, making a better turntable usually involves taking what we already know and simply doing it better.

Whether it's a thicker chassis, more powerful motor, more precise bearing, more effective isolation system, or something else, the emphasis is always on stepping things up a notch or two, rather than reinventing the wheel. This obsession can result in some impressive 'tables—some of the most impressive in the world, with awesome attention to detail. But are they the best sounding?

The other camp is what I call the deep thinkers. They approach the task of playing a record from a theoretical perspective and leverage their knowledge of physics to come up with fresh and innovative designs. The results may look unconventional, or even odd at first glance, but when such lateral thinking clicks, it can really push the boundaries of what's possible.

Revinylization

Revinylization #46: Chronic Jazz from Craft Recordings & ECM

Ken Micallef | Sep 20, 2023 | 2 comments

Today's scrappy record labels understand that an intimate brand connection captures consumers. Every major label has its own boutique imprints, from Columbia's Legacy to Blue Note's Tone Poet and Classic Vinyl. Craft Recordings, the catalog label for Concord, is set up well for achieving such a connection, since the parent company also owns Fania, Prestige, Milestone, Pablo, Telarc, Vanguard, Concord Jazz, and Riverside (not to mention Stax, Rounder, and Sugar Hill). For vinyl reissues, that's the jazz motherlode.

Craft created Jazz Dispensary to reissue some of this music, with shall we say uplifting goals: "With jazz as its source, ... Jazz Dispensary blurs boundaries and opens minds to the psychoactive potential of music, introducing a new generation to the grooves that elevated the hippest heads of the '60s and '70s." One Jazz Dispensary review copy came with branded rolling papers.

MQA News

Lenbrook Acquires MQA

Jason Victor Serinus | Sep 19, 2023 | 80 comments

Note: This is a developing story. Updates will be posted as they unfold.

Lenbrook Corp, the privately owned Canadian enterprise whose holdings include NAD electronics, PSB speakers, and Bluesound (the maker of the BluOS music operating software system) has acquired the assets of MQA, Ltd, including MQA technology and the SCL6. The press release announcing the acquisition, which went public September 19 at 8am EDT, notes that the deal "further solidifies Lenbrook's commitment to excellence and innovation in the evolving landscape of audio technology."

Recommended Components

Stereophile Staff | Sep 15, 2023 | 25 comments

Every product listed here has been reviewed in Stereophile. Everything on the list, regardless of rating, is genuinely recommendable.

Within each category, products are listed by class; within each class, they're in alphabetical order, followed by their price, a review synopsis, and a note indicating the issues in which the review, and any subsequent follow-up reports, appeared. "Vol.46 No.7" indicates our July 2023 issue, for example. "WWW" means the review is also posted online.

Aural Robert

Records for the New Land

Robert Baird | Sep 13, 2023 | 0 comments

Resurrecting musical treasures is a tough business. The explosion of vinyl-reissue labels, ranging from superlative to second-rate, has made it increasingly difficult for newcomers to stand out—to make the kind of splash that serious LP buyers will notice. Even more elusive is endurance and turning a profit. The affable, musically savvy James Batsford, owner of a pair of vinyl-only UK labels, New Land Records and Omerta Records, can't help but laugh over our New York–to–London Zoom connection when I ask why an obviously intelligent person with taste, like himself, would jump into the vinyl-reissue tarpit?

Recording of the Month

Recording of October 2023: I Inside the Old Year Dying

Anne E. Johnson | Sep 12, 2023 | 0 comments

PJ Harvey: I Inside the Old Year Dying
PTKF (auditioned as 16/44.1 FLAC stream on Qobuz). 2023. Produced by PJ Harvey, Flood, and John Parish.
Performance ****
Sonics ****

In 2022, PJ Harvey published an epic poem called Orlam. Harvey's 10th studio album, I Inside the Old Year Dying, isn't exactly a musical setting of Orlam's English- and Dorset-dialect poetry; rather, it's an interpretation of the poem with added improvisation. The result is as bizarre and fascinating as one could hope.

As We See It

That's Just How the Record Sounds

Jim Austin | Sep 11, 2023 | 16 comments

It's an error commonly made in evaluating hi-fi–system performance: the failure to listen differentially. Differential as in compared to something else. "Something else" could be a different recording on the same system or (especially this) the same recording on a different system. The question is, what are you comparing it to? The point is: Do you really know what that recording sounds like?

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