Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Monkeyhaus: Ottawa (Ohio!)

The system: An Integra disc player, Pro-Ject Debut III turntable, Cambridge Audio Azur 540A integrated amplifier, and Bellari VP129 phono preamp.

I didn’t even know there was an Ottawa in Ohio. But there is. Turns out to be a village in the northwest section of the state, about 155 miles west of Cleveland. The Mayor is Kenneth A. Maag, and in 2009, the village celebrated its 175th anniversary. Can you believe that? The Village of Ottawa has a population of 4,367, and among them are at least two music lovers.

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Grinderman Bring Evil to the Best Buy Theater

I hope you’ve had an opportunity to listen to our October 2010 “Recording of the Month,” the evil and often hilarious Grinderman 2. On Sunday, I got to see the band play at the Best Buy Theater in Times Square. (The strangeness of seeing Grinderman perform at a place called “Best Buy Theater” is surpassed, albeit slightly, by the fact that the show took place on a Sunday, the Day of Our Lord.)
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The Retro-Futuristic World of High-End Audio

The Peachtree Audio MusicBox

In “Old-School Hi-Fi in Search of the New New Thing,” Hal Espen visits the Rocky Mountain Audio Fest and ponders the inherent dilemma of hi-fi.

How can a decidedly old-fashioned hobby move forward in an increasingly newfangled world?

Outside the listening rooms, the story of this year's Rocky Mountain Audio Fest traced the mood-swings and anxieties that buoy and beset the retro-futuristic world of high-end audio.
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Focal Chorus 826W 30th Anniversary Edition loudspeaker

Does spending more money on audio equipment get you better sound? Some audiophiles assume that anything that costs more must be better—and that if it's relatively inexpensive, then it can't be any good. Others hold the opposite view: expensive components can't possibly be worth their prices, and those who manufacture them—and audio journalists who report on them—must be charlatans.

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Henry Threadgill, old and (perpetually) new

Henry Threadgill should be better known than he is. A topnotch musician on alto sax and flute, one of the more innovative composers in jazz, a veteran of the Chicago avant-garde and a revivalist of ragtime improvisational styles (the two are not so contradictory, as he was the first to demonstrate), Threadgill started out on small labels, briefly landed contracts at RCA Novus and Columbia during their brief flirtations with experimentalists (in the late ‘80s and mid ‘90s, respectively), then went back to the indies—all the while retaining, even advancing, his spirit of adventure and his restless but disciplined innovation.

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