LATEST ADDITIONS

To celebrate its 20th Anniversary in the cable business, Nordost has just introduced its new Leif Series. The series consists of four levels:
White Lightning ($179.99/1m pair interconnects, $359.99/2m pair speaker cable); Purple Flare ($249.99/1m pair interconnects, $499.99/2m pair speaker cable); LS Blue Heaven ($349.99/1m pair interconnects, $699.99/2m pair speaker cable); and Red Dawn ($499.99/1m pair interconnects, $999.99/2m pair speaker cable).

Of special interest is the change to Nordost’s old standby, the now-discontinued Blue Heaven. “I still remember when we introduced our Blue Heaven cabling 18 years ago,” Lars Christensen (seen here in the photo) recalled at the beginning of the demo in the Venetian. “We thought it was so expensive that we wouldn’t be able to sell it. Now, for much less money, we’ve got Nordost’s new 20th anniversary cable, White Lightning.”

Zoltan Balla rocks out with the Paradigm Active Atom. As its name implies, the Active Atom ($498/pair) is a powered version of Paradigm’s popular Atom monitor.

In Paradigm’s Signature S-1 ($1798/pair) a 1” pure-beryllium (P-Be) tweeter and 6” cobalt-infused anodized pure-aluminum (CO-PAL) mid-woofer are housed in a die-cast aluminum cabinet, said to work as an effective heatsink. Extensive internal bracing and constrained layer damping are employed to minimize vibrational energy. Cherry, natural maple, and black ash wood veneers are available.

The v.6 ($358/pair) is the latest iteration of Paradigm’s classic Atom monitor, a loudspeaker I’ve been attracted to for a long time but have never actually heard. With its 1” high-purity titanium-dome tweeter and 5.5” carbon-infused mid-woofer, the speaker is optimized for high sensitivity (90dB) with high output and low distortion. Impressively finished, the Atom v.6 is available in cherry, rosewood, wenge, white, and black ash veneers. I will have to listen to this speaker at some point in the future.

Arcam's John Dawson is seen holding the company's latest cost effective DACs. Featuring asynchronous USB technology licensed from dCS, the rDAC retails for $479 while the rDACkw (on the left) employs Kleer wireless transmitter technology and retails for $599.

Both DACs include one optical and one coax SPDIF connector in addition to USB. For the wireless option, the company has two dongles that connect to the source: the rWave for USB connections and the rWand for iPods. They cost $50 each if purchased with the DAC, $99 each purchased seperately.

“CES Unveiled” is the name of an event that’s presents a sort of preview of CES itself, featuring products that had been given awards for innovation. It takes place on the day before the CES Press Day, two days before CES is open. I normally don’t get to Las Vegas early enough to attend, but I did this time, so I thought I would check it out.

I got there nearly an hour before the four o’clock opening of CES Unveiled, and there were already hundreds of people—all accredited members of print or internet media or bloggers—waiting to get in. Were they expecting to get some valuable swag (promotional item), like an iPad? I checked at the entrance, and, indeed, there was some swag that was to be given to each person attending: not quite an iPad, but an external battery for an iPhone/iPod. Hmm. . .I recently bought an iPhone 4. I could use a battery for it. But there was no way I would wait that long. I wandered away, and came back at about a quarter to four. The line was then much longer, and I still ended up waiting about three-quarters of an hour before I got in. And—guess what—all the iPhone batteries were gone. I’m told they had 800 of them. Total attendance of the "CES Unveiled" event must have been over a thousand. It’s going to be a busy CES. . .

But I did get a little gift: an iPhone 4 case in shocking pink. Now I just have to find someone I can give it to.

CES Unveiled turned out to have little of interest to Stereophile readers—except those who are general technical geeks. (Not that there’s anything wrong with that!) Most of the products on display involved mobile computing, computer peripherals, etc., and the exhibits were simple table-top setups. Major CES exhibitors like Sony and Panasonic were conspicuous by their absence. Samsung just had some of their small digicams. I guess the high performance audio community decided to pass on this event, and it makes sense: what makes these products special can’t be evaluated by just looking at them.