LATEST ADDITIONS

Saturday, March 3, 3–9pm: The Audio Doctor (112 Sherman Place, Jersey City, NJ) will host an evening of music featuring amplification and sources from Unison Research. Three systems will be utilized, and there will be three separate showings: 3pm, 6pm, and 8:30pm.

Gear will include Unison’s S6 integrated amplifier, Primo amplifier and CD player/DAC, and Unico 50 CDE CD player/DAC; loudspeakers will include models from KEF and Dali. Dave Lalin of the Audio Doctor and Colleen Cardas of Colleen Cardas Imports will be on hand to present the systems.

Space is limited; RSVP with the time slot that works best for you. For more info, e-mail sales@audiodoctor.com, call (877) 428-2873, or visit the Audio Doctor.

Friday, February 17, 5–9pm: David Michael Audio (4341 Delemere Court, Royal Oak, MI) will host an Evening of Turntables and Vinyl featuring outstanding new pressings from ORG. In addition, all ORG releases will be available for purchase. Space is limited. For more info, e-mail info@davidmichaelaudio.com, call (586) 244-8479, or visit David Michael Audio.

Jeff Joseph of Joseph Audio introduced me to this beautiful cassette deck; I spotted the pic at BeoPhile.com.

Back in the late 1980s, it seemed a good idea: Separate a CD player's transport section from its D/A circuitry so that each could be optimally designed, and, as D/A technology improved, the sound of your CD player could be upgraded by replacing the outboard D/A processor. The catch was that the transport and D/A chassis needed to be connected with a serial data link: S/PDIF in optical or electrical flavors, or balanced AES/EBU. To minimize the number of cables required, the format of that link embedded the clock data within the audio data, which rendered the link sensitive to interface timing uncertainty, or jitter. (See "Bits Is Bits?," by Malcolm Hawksford and Chris Dunn.)

Gross is about to play an excerpt from a recording of John Rutter's Requiem. It's a piece that challenges just about every aspect of sound reproduction: there's an orchestra, a soprano soloist, a chorus, a pipe organ, and the acoustics of a large concert hall. Wimpy speakers need not apply. I listen, expecting to be underwhelmed.

Whoa! The low bass of the organ so fills the room that I look for subwoofers in the corners. The orchestra and chorus have great presence. There's a believable sense of space. These are some speakers! How much?

Children, for the most part, are normal human beings who like to make believe that they're extraordinary, just for fun. Adults, on the other hand, are delusional creatures who enjoy pretending that they're normal, simply for their own peace of mind.

Dusty Springfield: Dusty in Memphis
Atlantic/Analogue Productions APP 8214-45 (two 45rpm LPs). 1969/2011. Jerry Wexler, Tom Dowd, Arif Mardin, prods.; Ed Kollis, eng.; Kevin Gray, 45rpm mastering. AAA. TT: 76:40
Performance *****
Sonics *****

Coaxing a singer to "stretch" always sounds like a good idea—that is, until the singer is standing in the same recording booth used by Aretha Franklin and Wilson Pickett, and suddenly her confidence, never brimming to start with, drops through the floor and she can't or won't sing a note. Add to this that Dusty Springfield was already a sticky perfectionist who'd self-produced most of her records and wasn't happy with the songs to be recorded—despite the fact that most of them were straight out of the Brill Building—and you have the recipe for an all-time classic record, right?