Electrocompaniet + Ø Audio at High End Munich 2025
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
CH Precision and Audiovector with TechDAS at High End Munich 2025
Innuos Unveils Stream3 & Stream1—Modular Server/Streamer Lineup Explained | AXPONA 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
ELAC's Andrew Jones Talks Loudspeakers | Stereophile

LATEST ADDITIONS

NY Audio Show 2014: Day 1

The Marriott Brooklyn Bridge—site of this year's edition of Chester Group's New York Audio Show—turned out to be a short, pleasant walk from the Jay Street station. Show registration was just around the corner from the Marriott's main desk, and the show continues through tomorrow (Sunday).
Continue Reading »

Happy Together

Do the singles in this boxed set which features a quality pressing job and nice if no frills packaging sound better than the CDs that both Rhino and the pair’s own label mentioned above have been releasing over the years?
Continue Reading »

Dynaudio Excite X14 loudspeaker

In the March 2010 issue I reviewed Dynaudio's Excite X12 bookshelf speaker ($1200/pair), then the least expensive speaker in Dynaudio's line. It mightily impressed me, and I wrote that it had "become my new benchmark for speakers costing under $2000/pair." Despite the many newer, competing bookshelf speakers costing somewhere between $1000 and $2000/pair that have visited my listening room since then, my enthusiasm for the Excite X12 has not waned—I've used it as a reference against which to compare all of those of those models. So when Dynaudio USA's Michael Manousselis contacted Stereophile to tell us that the entire Excite line had been redesigned, and offered review samples of the Excite X12's successor, the Excite X14 ($1500/pair), I jumped at the opportunity.
Continue Reading »

Naim Audio NAIT 5si integrated amplifier

Some among us remember a time when audio was divided into rival interests. On the left side of the pond was the New World, where left-brainers believed that vanishing harmonic distortion meant that "all amplifiers sound the same," and that good loudspeakers are a high-fidelity audio system's most important components. Across the waves, so-called flat-earthers claimed that the most important part of the playback chain was the turntable. (Of secondary importance were the tonearm and cartridge, followed by the preamp and amplifier. Loudspeakers were deemed relatively unimportant.) In the 1980s, this extremist idea of the "front end first" captured the imaginations of audiophiles, mostly in the Mother Country.
Continue Reading »

God Lives in the Details

Hunter S. Thompson once wrote, "If you work in either journalism or politics . . . you will be flogged for being right and flogged for being wrong." I was reminded of Thompson's words when I read a forum post on our website. "Why is Stereophile way behind the other magazines?" asked "rs350z," explaining that, among things, he objected to Stereophile's supporting its reviews with measurements. "why waste the ink on doing measurements on each product reviewed," he wrote, with a disregard for capital letters. "There is no need to. I don't care if the distortion is 0.00005 or 0.00007, nor do i care about all of the other tests you do. What i care about is the sound, quality, finish, looks."
Continue Reading »

Recording of October 2014: Bruckner: Symphony 9

Bruckner: Symphony 9
Claudio Abbado, Lucerne Festival Orchestra
Deutsche Grammophon 479 3441 (CD, 48/24 download from HDTracks). 2014. Georg Obermayer, prod., ed.; Urs Dürr, Toine Mertens, engs. DDD. TT: 63:09
Performance *****
Sonics ****½

This performance of Bruckner's last, all-but-finished composition was recorded at the last concert conducted by Claudio Abbado. It is a fitting final statement by an interpreter of unparalleled sensitivity, intelligence, and taste.

The Ninth is no serene work, and Abbado's earlier recording, with the Vienna Philharmonic, is a darker, more intensely driven vision of Bruckner's fight to live long enough to complete his most profound, most ambitious composition. The difficulties of that double struggle are evident throughout the three movements Bruckner completed (Abbado never conducted a completion of the nearly finished Finale), and in 1996 in Vienna, those struggles seemed the story Abbado wanted to tell.

Continue Reading »
Advertisement

Portable Luxury at a Lower Price: The Oppo PM-2

This story originally appeared at InnerFidelity.com

The Oppo PM-2 was released not long after the Oppo PM-1 as a lower cost alternative. The PM-2 forgoes the fancy presentation box, extra ear-pads, and balanced cable, leaving the denim clam-shell case, short mobile cable, and longe unbalanced cable (OFC instead of OCC) as the included accessories. On the headphones themselves, ear-pads and headband pad coverings switch from lamb-skin to synthetic leather, and a couple of the trim pieces on the ear capsule are now plastic instead of metal. All told, I think these were excellent choices in creating a lower cost version of the PM-1.

Continue Reading »

The New York Audio Show Starts Friday

It may be just a subway ride away from the biggest Apple, but to some inveterate Manhattanites, an audio show in Brooklyn sounds like it's from another planet. In reality, the third New York Audio Show, which opens to the public on Friday, September 26 at 2pm and continues through Sunday, September 28 at 5pm, takes place at the Marriott at the Brooklyn Bridge, just a short distance across the East River from Manhattan.
Continue Reading »

Callas Remastered: "La Divina" Receives Her Due

Move over John, George, Ringo, and Paul. There's another remastering that's come on the scene, and it's every bit as important as the Beatles Mono Edition. It's Warner Classics' high-resolution, 24/96 digital remastering of soprano Maria Callas' entire studio-sourced discography. Consisting of arias, recitals and complete operas recorded 1949–1969, the remasterings reach the international public on September 22, and US music lovers on September 23. Their sound, whether in the 69-CD box set of her entire studio recordings, or HDtracks' 24/96 downloads of its individual components, is revelatory.
Continue Reading »
Advertisement
Advertisement
Advertisement