Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

California Audio Show 2015: Day One

On paper, the 6th annual California Audio Show, taking place this weekend at the Westin SFO in Millbrae, CA just south of San Francisco, qualifies as the smallest consumer audio show in the United States. But you wouldn't have known it from the lines at the registration table at 10:30am on opening day. The place looked packed. And the reality was, given 29 active exhibit rooms, some with multiple systems, plus other active exhibits in the lobby, Friday's turnout felt perfect.
Continue Reading »

Adcom GDA-700 D/A processor

The availability of the Pacific Microsonics High Definition Compatible Digital (HDCD®) PMD100 decoder chip, manufactured by San Jose's VLSI Technology, has brought about a minor revolution in Compact Disc playback. It brings sonic improvements in imaging, soundstaging, and resolution of detail. In the past six months, Stereophile has published a number of reports on the HDCD decoder's operation, what HDCD recordings are available, and the improvements brought by the HDCD chip to specific digital audio processors (footnote 1). High-end manufacturers are incorporating the $40 HDCD chip in their newest decoders, including the $4695 Sonic Frontiers SFD-2 Mk.II D/A processor, the $15,950 Mark Levinson No.30.5, and the $8195 Spectral SDR-2000 Professional HDCD D/A Processor (reviewed in Vol.18 No.5).
Continue Reading »

Audio-Technica AT-OC9 phono cartridge

While the AT-OC9 bears the Audio-Technica logo, you won't find a sample of this moving-coil cartridge at your friendly Audio-Technica dealership. The US distributor of Audio-Technica products has apparently decided that their market does not include high-end cartridges. A quick perusal of the latest Audio directory issue (October 1988) lists the most expensive AT cartridge at $295, with no moving-coils in sight. When I first heard of the AT-OC9, the only reasonably accessible source, short of Japan, was Audio-Technica in the UK. A quick phone call and follow-up letter resulted in a review sample. Since that time, Music Hall in the US importers of the Epos loudspeakers, among other items) has begun importing the AT-OC9 (along with the less-expensive AT-F5). Mail-order company Lyle Cartridges also stock it, I believe.
Continue Reading »

Hitting Newsstands This Week: the September Issue!

GamuT’s impressive-sounding RS7 tower graces the cover, while inside the issue, the full reviews feature Vinnie Rossi’s unique LIO integrated amplifier, AudioQuest’s intriguing JitterBug, B&W’s affordable 683 S2 speaker, and the high-performance Acoustic Signature Triple X turntable. We take a second look at Wilson Benesch's high-performance minimonitor; assemble three high-performance desktop systems at three price levels; offer three cost-free tips for getting the best from your system; and interview iconic English singer/songwriter/guitarist Richard Thompson. And there’s more—much more.
Continue Reading »

The Silent Minority

Until about nine months ago, in the fall of 1970, FM radio station WFLN, Philadelphia, was just another one of that dying breed: the classical FM station. Like its counterparts in the few remaining classical-radio cities, it provides the major part of the high-fidelity listener's radio diet, and also like most similar classical stations, its fidelity was nothing to brag about.
Continue Reading »

Advent 300 receiver

This receiver includes a rather respectable little tuner, almost comparable to the Dyna FM-5 in performance, a 15Wpc power amplifier of passable quality, and a preamplifier section that in some ways gives some of the costliest preamps a run for their money.

If you don't live in a difficult receiving area or are trying to receive long-distance FM, the tuner should satisfy any perfectionist. It is far superior to the FM transmission quality in most US cities anyway. The power amplifier is better than any we have previously found driving the dinky little speakers in most compact systems, but it has neither the power nor the other attributes to replace any of the amplifiers currently in favor with perfectionists.

Continue Reading »

Welcome, Intervention Records

There's a new audiophile-quality vinyl reissue endeavor on the scene: Intervention Records (IR). Dedicated to reissuing recordings that are "entirely new to the vinyl reissue market, particularly titles that never saw a vinyl release at all or only saw very limited release," Intervention Records' titles are sourced from the best available sources, primarily analog master tapes, and are mastered in the analog domain by Kevin Gray at Cohearent Audio.
Continue Reading »

A Visit to the Magico Factory

Alon Wolf with the Magico M Project speakers. All photos: Jason Victor Serinus

Ever since 2013, when Alon Wolf's California-based Magico loudspeaker company consolidated its original 5000 sq. ft. Berkeley headquarters and 5000 sq. ft. San Jose warehouse into a single 20,000 ft. facility in Hayward, people have been telling me that I had to experience the company's "incredible" listening room. Ironically, it was only after I had relocated from the Bay Area to Port Townsend, WA, that the opportunity arose to take Alon Wolf up on his long-standing invitation to visit.

Continue Reading »
Advertisement
Advertisement
Advertisement