LATEST ADDITIONS

Three years after finalizing the design of their HQS G 7001 monoblocks, brothers Arnaud and Laurent Fusilier of French company JMF Audio completed the design of the JMF Audio HQS G3 9001 amplifiers ($164,000/pair). Alongside other JMF Audio products, the 9001s debuted at the ancillary HiFi Deluxe show in the Munich Marriott, offering a similar sonic signature as their smaller cousins.

"Our new Octave Jubilee class-A mono amplifier has a slightly different sound than the Jubilee Mono SEs you reviewed three years ago," said Andreas Hofmann. Hoffman is the founder and chief engineer of Germany’s Octave Audio, and he was talking about his forthcoming push-pull monoblock, noting that the amp outputs 160W in class-A lower-power mode and 280W in class-AB high-power mode. The Octave Jubilee’s projected price is $85,000/pair without potential tariff hikes.

The Munich unveiling of dCS’s Lina DAC X network music player ($15,500) drew significant attention from lovers of the Lina DAC ($14,400). The debut occurred alongside a static display of the top-of-the-line Varèse transport, due in June.

Over three years ago, when I reviewed Accustic Arts’s AMP V stereo power amplifier, I called it "the most intelligently designed hunk I’ve ever put my hands on, and one of the finest and most musically satisfying amplifiers to ever enter my system." I wish it were still here so I could reevaluate it with my current system, which has become exponentially more revealing.

You gotta love press releases. “This May in Munich, history won’t just be written—it will be heard.” Thus opened the invitation to a joint press conference of “two Norwegian powerhouses” whose system “doesn’t whisper innovation—it roars it.”

It wasn't long ago that bottom-shelf DACs had this dry, gray, punchy, grainy sound, emerging from a weird mechanical clarity. Their sound reminded me of cheap whisky. The ones that didn't sound like $1 shots replaced the dry grain with some blurry gel. No vitality. No subtle contrasts. No nuance. No air. No atmospherics, no reverberance, and nothing I would call transparency.

Digital's rapidly evolving technology made the next wave of DACs sound strikingly clear and quiet, with some touchy-feely hints of wetness to suggest a more natural transparency. Unfortunately, most of these newfangled wet DACs sounded like distilled water tastes.

For me, digital transparency didn't become truly wet, colorful, or naturalistic until I discovered NOS R-2R converters, which made midlevel four-figure DACs, like my Denafrips and HoloAudio, sound like bits bathed in luminosity. Very relaxed. Grainless. Ektachrome.

Woot, woot! I was thrilled when I saw the announcement for this amplifier. I was tempted to order one sight unseen and sound unheard. Why? First off, it employs the newest (as of March 2025) class-D amplification technology. Second, it can accommodate all sorts of audio systems, from an eight-channel surround setup to a megalomaniacal two-channel stereo system. Third, the specs, even in the context of its technology, are impressive. And fourth, I can lift it by myself—easily! How can I pass this amplifier up?