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It was an audacious demonstration. For the launch of Aerial's 20T loudspeaker at the end of 2002, Aerial's head honcho and designer, <A HREF="http://www.stereophile.com/interviews/467">Michael Kelly</A>, had arranged to compare the speakers reproducing the recorded sound of virtuoso violinist Arturo Delmoni with the <A HREF="http://forum.stereophile.com/photopost/showphoto.php/photo/467">real thing</A>. The setting was the ornate dining room of one of Newport, Rhode Island's many mansions, and, given the inevitable differences&#151;due to the facts that a violin has a very different radiation pattern from a loudspeaker and thus excites the room differently, and that the recording inevitably gives the listener a double dose of the room's acoustic&#151;the demo was successful. There was much subsequent argy-bargying between <I>Stereophile</I>'s reviewers about who would review the Aerial 20T, but it was Michael Fremer who eventually <A HREF="http://www.stereophile.com/floorloudspeakers/404aerial">wrote about it</A> in April 2004.

<B>Jim O'Rourke: <I>The Visitor</I></B><BR>
Drag City DC375CD (CD). 2009. Jim O'Rourke, prod., eng. AAD? TT: 38:03<BR>
Performance ****<BR>
Sonics ****

Back at the Barcelona Jazz Festival, after many espressos, a hunk of Cod, potatoes with olive oil mayo and tomato sauce, grilled mushrooms, and some of the best cookies I’ve ever had (thumb sized sugar cookies with chocolate centers), I made the trip to several record stores including Jazz Messengers, which has perhaps the finest collection of live jazz CDs and some LPs, in the world. If you’re feeling strong, pay down a credit card and then check out their website, www.jazzmessengers.com. They ship to the States, I checked. I picked up a CD of <B>Clifford Brown</B>’s final concert in Norfolk, Virginia, which was recorded in 1956, the week before his tragic death at age 26 on the Pennsylvania Turnpike. The tenor player on the date was Sonny Rollins. Max Roach, Brownie’s friend and constant musical companion was on drums. It’s a legendary concert that has never been available in the US and needless to say I am thrilled to finally have a copy.

Transatlantic flights wipe me out. Chalk it up to being an old man I guess. But after a connection through a dark deserted Heathrow, I arrived in Barcelona for the 41st Barcelona Jazz Festival and within a couple of days, semi-disaster had struck. Not to me mind you but to American jazz saxophonist <B>Joe Lovano</B> who fell, not once but twice and broke an arm and a shoulder. He had to cancel his show here in Barcelona, his European tour and then had surgery with the chief orthopedic surgeon of Barcelona’s much beloved soccer team, FCBarcelona, presiding. I saw Lovano this morning as he was leaving for a flight home. He had both arms strapped up in this elastic, soft cast contraption but was in good spirits and ready to head back to NYC. He says he’ll be able to play again in about 15 days, but he’ll have to lay off performing until after the first of the year. No word yet however on what caused his tumble, which is the bigger question.