LATEST ADDITIONS

It's always fun to visit the Burmester Audio suite at the annual Consumer Electronic Show. Founder Dieter Burmester and CEO Udo Besser are upbeat, fun-loving personalities who enjoy demonstrating their latest home audio gear—that is, when they're not working on the latest updates to their sound system for the $2.1 million Bugatti Veyron 16.4 supercar. This past year they introduced their new B25 loudspeaker, an 88-lb floorstander. This "baby" Burmester's suggested retail price of $12,000/pair is only one-sixth that of Burmester's flagship speaker, the B100, only one-fourth its weight, and half its height. The design goals for the B25 were a less expensive, lighter speaker that was easier to set up, while retaining Burmester products' high-quality sound and good looks. Playing my own CDs through the B25s at the 2008 CES, I found them notably smooth and detailed; they also imaged well, and were particularly good at reproducing male voices.

As <A HREF="http://www.stereophile.com/news/121308oyaide/">reported on this website</A> on December 9, Joseph Cohen of the <A HREF="http://www.lotusgroupusa.com/">Lotus Group</A>, exclusive distributor of Oyaide products in North America, discovered that Chris Johnson of Parts ConneXion was selling counterfeit Oyaide AC plugs at regular Oyaide prices. Given that Johnson had previously signed a contract with the Lotus Group to distribute genuine Oyaide plugs, Cohen immediately attempted to reach Johnson to resolve the matter.

The February 2009 issue of <i>Stereophile</i> is now on newsstands. On the cover, we feature the first CD player to come from Canadian manufacturer, Bryston.

<I>Hemispheres</I>, the new two-CD album by guitarists Jim Hall and Bill Frisell, is the year’s first jazz masterpiece, a work of spontaneous lyricism as glittering and joyful as anything either has recorded (and, given their histories, that’s saying a lot). Hall, who’s 78, and Frisell, who’s 57 and something of a protg, both have a tendency toward doodling when they’re not anchored by a rhythm section. But Disc One—10 tracks of barebones duets (including Milt Jackson’s “Bags’ Groove,” Bob Dylan’s “Masters of War,” Hall’s anthemic “Bimini,” and several pure improvs)—are loose-limbered and air tight, the two trading harmony and melody, then merging the strands to the point where it’s unclear who’s playing what but it meshes and sings all the same. Disc Two—10 more tracks, mainly standards (“I’ll Remember April,” “Chelsea Bridge,” “My Funny Valentine,” “In a Sentimental Mood”), the guitarists joined by Scott Colley on bass and Joey Baron on drums—is no less free-spirited. Colley and Baron, who have played as sideman to both as well as many others, aren’t the sort to lay down rhythmic law; they splash color and weave textures along the leaders’ sinuous lines.

How great was it to hear all the music at the inaugural. Maybe music and the arts will once again be valued in the country. Maybe someone else than right wing country singers can get a tune in edgewise.

Art Dudley:

On Sonic Youth's 1992 album, <i>Dirty</i>, there is a song called "Youth Against Fascism," in which Thurston Moore lists a series of difficult political themes (racial violence, a poor economy, a lousy president, etc.) and follows each item with the refrain: