LATEST ADDITIONS

On this page in Stereophile's December 2023 issue, contributing editor (and mastering engineer) Tom Fine and I described a press event at which Apple Corps (the Beatles umbrella corporation) presented the news about the (at the time) forthcoming new Beatles single and the forthcoming "remixed" reissues of the "Red" and "Blue" Beatles compilations. Tom attended the event—which, notably, was held at Dolby headquarters here in New York City, reflecting, apparently, Apple Corps' interest in Dolby Atmos. At the event, demos were presented in the Atmos format only—no stereo.

A key point of that column was that Apple Corps, at least—and who knows how many others in the music industry—are abandoning high-quality Atmos in favor of that streamed by Apple Music. Tom and I criticized this development in no uncertain terms, concluding that if Apple's lossy-compressed version of Dolby Atmos is what we're being offered, "we should hope for its demise."

Before and since the pandemic, many traditional hi-fi dealerships evolved to expand the products and services they offer—into custom install and home integration, in particular. There has also been a bit of a multichannel/home theater resurgence.

Shifts in the market and personal interests led to changes at Adirondack Audio & Video, an established company with locations in upstate New York and—as HiFi Loft—in Manhattan. The company recently split into two separate entities. Under new ownership by a former partner/employee, just before Labor Day, 2023, HiFi Loft spun off from Adirondack and opened a new second location in Glens Falls, New York, about 45 minutes north of Albany. By all accounts, the separation was amicable, even favorable for each party.

Grateful Dead: Wake of the Flood, 50th Anniversary Deluxe Edition; Betty Davis: Crashin' From Passion; X-Ray Spex: Conscious Consumer; Cat Power: Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert.

Weinberg: Dawn, Op.60, Symphony No.12, Op.114; Nielsen: Violin Concerto, Flute Concerto, Clarinet Concerto; Walker: Sinfonias 1–5.

What goes into building and outfitting a listening room? One of Stereophile's reviewers found out first-hand—and almost bit off more than he could chew. A tale of white powder, a mummified dog, and various deals with the devil.

When Jim Austin offered the Plinius Reference A-150 stereo amplifier ($14,995) for review, it felt like a welcome blast from the past. Plinius has, lately, maintained a low profile in the US, likely due to several changes in US distributorship...Under the auspices of Ralph Abramo and California-based Plinius Audio Sales and Repair, Plinius's US profile seems to be rising again.

In prior screeds, I have discussed the category of turntable designers I like to call deep thinkers, who twist their brains to come up with fresh thinking about how to approach the task of playing a vinyl record. If there is a poster boy for deep thinkers, it's got to be Simon Brown.

Brown is based on the South Island of New Zealand. I'm thinking that being in such a far-flung part of the world must have given his head plenty of space to get creative. First, in 2011 he created The Wand tonearm, a striking unipivot design that features a fat carbon-fiber armtube nearly 1" in diameter (below). Art Dudley wrote about The Wand in 2019, and I highly recommend that you read his thoughts, especially about his struggles to set up The Wand.