FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

The Beatles: Liverpool Fantasy

Last week, I had a puzzling dream. When I woke, the vision remaining from the dreamscape was of a single thread of conversation, almost oracular, with no context. Ringo was telling me, "That was actually John singing on that one, mate."

I searched for a hidden message. Maybe it was one of those naked-in-public dreams, the Beatles drummer chastising me for misidentifying the singer in some review I wrote. I soon forgot about it.

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Analog Corner #311: Dynamic Sounds Associates Phono III phono preamplifier

First, a power update: The generator and transfer switch bypass plan has been solidified, the town permit has arrived, and the work will commence soon. I'm pretty sure what I've learned through this debacle will help other audiophiles improve both their power and their system's sound.

Now, on to this month's column: Revisiting an updated product from a small company can be a rewarding experience. For startups in our competitive, niche marketplace, just remaining in business is a challenge. Many under-capitalized startups founded by well-meaning idealists/hobbyists disappear in just a few years if not faster.

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Rotel Michi M8 monoblock power amplifier

In an April 2020 press release, the McIntosh Group announced that its subsidiary brand Sumiko, which was cofounded by the late Dave Fletcher and distributes Sonus Faber and Pro-Ject among other high-performance brands, had secured distribution rights for Rotel Electronics in the US and Latin America. That press release prompted memories of a Rotel RP-3000 direct drive turntable I once owned, fitted with a Lustre GST arm.
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Esoteric Grandioso C1X line preamplifier

Even as I was admiring some of the handsomest audio gear I'd ever set eyes on, my thoughts kept returning to equipment of a very different sort.

Flash back maybe 40 years to my one-bedroom apartment on Elgin Park in San Francisco during the period when I was whistling for my supper and performing Puccini's "O mio babbino caro" in the Emmy-nominated Peanuts cartoon, "She's a Good Skate, Charlie Brown." Cue the constant din of an elevated four-lane freeway, since demolished as a blight on humankind, which I tried to pretend was the sound of water in the accompaniment to one of Schubert's many "water and fish" songs.

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Bricasti Design M1SE MDX D/A processor

I have owned the SE version of the Bricasti M1 D/A converter for several years. It's my reference DAC. When, recently, I became aware of the availability of the factory-installed MDx Processor Board upgrade, I packed up the M1SE and sent it off to the Bricasti factory, which is in Shirley, Massachusetts, northwest of Boston. The factory-installed MDx upgrade costs $1000—a lot less than the $10,000 it costs today to buy a new M1SE with the MDx board.
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Line Magnetic LM-845IA integrated amplifier

If you've ever paused in front of a painting by Peter Paul Rubens, you may have noticed that the canvas seems to glow. Everything in Rubens's paintings celebrates abundance. A golden light bathes his landscapes, and his figures are epitomes of radiant health—the women ample and voluptuous (a body type sometimes called "Rubenesque"), the men vigorous and athletic. Invariably, these expanses of rosy European flesh appear to be in motion, an effect Rubens mastered more thoroughly than arguably any artist of his age.
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Book Review: Chairman at the Board

Chairman at the Board: Recording the Soundtrack of a Generation, by Bill Schnee. Backbeat Books, 2021. 219pp. $24.49, hard cover; $21.49, Kindle e-book.

It was September 2012, and Sasha Matson and I were in Los Angeles to record the singers for his jazz opera, Cooperstown. We had already recorded the instrumental backing with engineer Mike Marciano at Brooklyn's Systems Two studio, and the venue for the vocal tracking sessions was Bill Schnee's studio in North Hollywood.

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