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It began when I reviewed the MartinLogan Montis loudspeaker (September 2012). The amplifiers I had to drive the pair of them were the PrimaLuna ProLogue Premier integrated ($2999), the Audiopax Mk.II (no longer available; the Mk.III costs $22,000), and the Simaudio Moon Evolution W-7 ($9000). The first two are tubed, with power in the 30–40Wpc range; the solid-state Simaudio puts out 150Wpc. The Audiopax, which sounds great with my Avantgarde Uno Nanos, turned out to be not such a good match for the Montises: weak in dynamics, and too soft sounding. The PrimaLuna and the Simaudio were better overall, each with its strengths and weaknesses, though neither was ideal. I really liked the ProLogue Premier's tonal characteristics, and wondered what a higher-powered tube amp would sound like with the MartinLogans.

It’s like that t-shirt you were always jealous of your friend for having. You know the one I’m talking about. It’s the one that said “Famous Guitars”, and it had drawings of Eddie Van Halen’s Frankenstein or Rick Nielsen’s multi-necked Hamer. There was also a “Famous Drumkits” one with Kreutzmann and Hart’s two-man kit or Terry Bozzio’s tom-tom explosion. Gosh, those were cool.

Well now you can be that guy but with the famous hi-fis.

One of the most striking aspects of high-end audio is that you can never take any component for granted. Most of the radical change in audio at present takes place in new front-end and speaker technologies, but other components are changing as well—and with at least as much impact in making recorded music seem believable.

Friday–Sunday, November 23–25: The Hi-Fi Expo Sofia will be held at the Grand Hotel (1 Gurko Street, Sofia, Bulgaria). More than 250 high-end brands are expected to exhibit. For more info, visit www.hifiexpo.bg.

Although most audio perfectionists look down with scorn on equalizers, there are times when the benefits of such devices can outweigh their disadvantages. I discussed the pros and cons in my review of the Accuphase G-18 in Vol.11 No.4, but a brief recap here won't be amiss.

With a fanfare at 4pm, Sunday October 14, in the Denver Tech Center Marriott's Atrium, the Denver Broncos Half-Time Band, courtesy of Kimber Kable's Ray Kimber, brought the Show to a close. According to Show organizer Marjorie Baumert, "We had about 150 more exhibitors (according to the badges), about 3600 attendee days (approximately 100 more than last year). We had 1295 attendees pre-register and that was an all-time record (last year was 1100). . .

I walked into the big Peachtree Audio room to find listening chairs scattered about in every direction, seemingly without purpose. Indeed, some listeners stood while some listeners sat and even others danced.

This was different . . .