LATEST ADDITIONS

David Manley, 73, founder of VTL, Manley Laboratories, and the ViTaL record label, died of a heart attack on December 26, 2012, at a hospital near his home in Varrennes-Jarcy, France. Famously described in the pages of Stereophile by Robert Harley in a 1991 interview as expressing "his strongly held beliefs with a passion and conviction that the printed word does not adequately convey," Manley leaves behind a rich legacy that continues to grow under the leadership of, for VTL, his son Luke Manley and daughter-in-law Beatrice Lam, and for Manley Labs, his fifth wife, EveAnna Manley.

Congratulations to Timothy Brown in Omaha, Nebraska on winning the Ultimate Gift of Music from Sonos.

Register to win The Beach Boys Remasters 12 CD box set and associated merchandise (MSRP $200) we are giving away.

These releases mark the stereo debut of Smiley Smile and Beach Boys Party!, while The Beach Boys Today! and Summer Days (And Summer Nights!!) are being released in stereo for the first time in their entirety. The new releases include the first-ever stereo mixes of several key Beach Boys classics, including “Good Vibrations,” “Help Me, Rhonda,” “I Get Around,” and “409,” among others.

[This Sweepstakes is now closed.]

Most reviews are straightforward. One preamplifier or power amplifier replaces another. DACs are swapped out. A new pair of speakers takes up residence in the listening room.

But some products demand a complete revision of a system's architecture. Such was the case with Devialet's D-Premier ($15,995). Not only is this French product an integrated amplifier, with phono and line analog inputs; it has digital inputs and an internal D/A section.

I miss Sonic Youth.

To say that a digital source "sounds like analog" has always struck me as coming up short. The notion that one format sounds like another is not really sensible or even ideal. While I love listening to LPs, there are some physical attributes of vinyl that, ideally, you don't want to reproduce. You know what I'm talking about because, every chance they get, LP haters remind us about pops, ticks, skips, surface noise, inner-groove distortion, etc. So when we say that a digital source sounds like analog, what we're really saying is that it doesn't sound like digital.

Wagner: Der Ring des Nibelungen
Birgit Nilsson, Hans Hotter, Wolfgang Windgassen, George London, Gustav Neidlinger, Gerhard Stolze, Gottlob Frick, Dietrich Fischer-Dieskau, Kirsten Flagstadt, Set Svanholm, James King, Régine Crespin, Christa Ludwig, many others; Vienna State Opera Chorus, Vienna Philharmonic, Georg Solti
Decca 0289 478 3702 2 (17 CDs, 1 BD, 1 DVD). 1958–66/1997/2012. John Culshaw, prod.; Gordon Parry, eng.; James Lock (1997), Philip Siney (2012), remastering. ADD. TT: 14:36:56 (Ring only)
Performance *****
Sonics *****

Gramophone called it "the recording of the [20th] century"; Stereophile named it No.1 of the 40 essential recordings of all time. Fifty-four years after the first Rheingold sessions, there is still nothing like this history-making first studio recording—by conductor Georg Solti, the Vienna Philharmonic, and producer John Culshaw—of Wagner's Der Ring des Nibelungen, originally taped and released on LP from 1958 to 1966. The unsurpassed quality of singers and orchestra, Solti's astonishing ability to tell a dramatic story in music, the epic scope and sweep of work and performance—and the sound, as much a wonder for our own time as half a century ago—make these recordings seem more precious, their combinations of qualities less likely to ever be repeated, with every passing year.