LATEST ADDITIONS

“It’s Luxman’s 100th Anniversary,” Stereophile Editor Jim Austin told me in passing. “You’ve got to hear how good the sound is in the Rhythm Distribution room that Luxman shares with Marten and Jorma.”

The Palm Ballroom and adjacent rooms hosted systems from Acora Acoustics, Scott Walker Audio, and VAC—an ambitious collaboration by Valerio Cora, Scott Walker, and Kevin Hayes. The trio presented a range of well-curated systems.

Persistence Pays Off: Audio Research's Best and Sonus faber's jewels Sound Fabulous with dCS, Clearaudio, DS Audio, Innuos, Kubala-Sosna, and Critical Mass

The story goes that starting in 1962, Malcolm Jones was KEF's "first employee," where he "did most of the design and development of the legendary KEF drive units—the B139, B200, B110, T15, T27—and the systems in which they were incorporated. Malcolm left KEF in 1974, having just completed the Reference Series 104 system and work on an active professional monitor to work full time at Falcon Acoustics Ltd."

Fast-forward a few years. I bought my first BBC LS3/5a in 1980. It was a Falcon Acoustics kit I saw advertised in the back of Speaker Builder magazine. Fingers crossed, I sent a postal money order in a thin Air Mail envelope to what I imagined was a garden shed in England. But of course it wasn't.

“Do you know where the room with Pearl Acoustics Sibelius loudspeakers is?” That question, which greeted Jim Austin and me as we navigated the stairs, grew increasingly common as AXPONA unfolded.

What I thought would be a quick hello to distributor Wynn Wong of Wynn Audio—accompanied by his wife, Candy, and their adorable 15-month-old daughter, Victoria—turned into a tour of premieres from three companies. Technically four, if you count Victoria’s AXPONA debut.

Mike Stephens of Farmersville, Texas’s Western HiFi presented one of the show’s top five systems at AXPONA. Built from modestly priced gear, it stopped people in their tracks and kept them planted in their seats—including me.