Pure Sound Warps Time | Revel Performa4 Bookshelf Loudspeaker
Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts
Klipsch Trumpets 80th Anniversary Klipschorn Loudspeaker at Audio Advice Live 2026
See How the New HumminGuru NOVA RCM Cleans an LP!
Canvas HiFi Unveils Powered 2-Channel Speaker System at Audio Advice Live 2026
KLH Previews the New Model 4 Loudspeaker at Audio Advice Live 2026
GoldenEar Technology Talks Up the T44 Loudspeaker at Audio Advice Live 2026
KEF Showcases the New LS Luxe Loudspeaker at Audio Advice Live 2026
Paradigm Premieres a Trio of Premier Series Speakers at Audio Advice Live 2026
Bowers & Wilkins Stands Tall at Audio Advice Live 2026
Vibrant HiFi at SouthWest Audio Fest 2026
Pure Audio Project at SouthWest Audio Fest 2026
Dreamscapes A/V at SouthWest Audio Fest 2026

LATEST ADDITIONS

Cary SLP-98P tube preamplifier

I had it all wrong. I assumed that the "SLP" in SLP-98P stood for <I>stereo line preamplifier</I>. But <A HREF="http://www.stereophile.com/interviews/399">Dennis Had</A>, Cary Audio's founder and chief designer, told me that it actually stands for <I>sweet little preamplifier</I>. In a day and age when <I>acme</I> is a word without meaning and the fighting Irish are neither, this strikes me as a risky marketing gambit&mdash;but one that may be effective if the name proves true.

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Satellite Radio Subs Jump

Now is clearly crunch time for satellite radio. In the last year alone, over one million new subscribers have been added to front-runner <A HREF="http://www.xmradio.com">XM Satellite Radio</A>'s service, bringing its total to approximately 1.4 million. The company projects that it will reach a total of 2.4 million subscribers by the end of 2004, thus ensuring its survival.

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Added to the Archives This Week

This week we have two John Atkinson speaker reviews from the February 2004 issue. First, JA gets his hands on the <A HREF="http://www.stereophile.com/loudspeakerreviews/204bw">B&W 705 loudspeaker</A>, commenting, "When I heard about the company's new 700 series of speakers, based on the technology featured in their cost-no-object Nautilus series but priced to sell in the real world, I asked to review the $1500/pair 705."

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B&W 705 loudspeaker

When I was first getting interested in "high fidelity," as we called it back in the 1960s, there was an audio dealer in Worthing, England called Bowers & Wilkins. Their advertisement in the February 1966 issue of Hi-Fi News features their annual sale, with a Quad Electrostatic Speaker priced at £30 instead of the manufacturer's recommended £37, and offering other bargains, from ReVox, Quad, Rogers, Leak, and Armstrong. Conspicuous by their absence from the ad are Bowers & Wilkins speakers. The first reference to those I could find was in the August 1968 issue of what was then called The Gramophone, when race-car driver turned audio critic John Gilbert raved about the P2 Monitor. Designed by avid concertgoer John Bowers with Peter Hayward and featuring an EMI bass unit and a Celestion tweeter, the two-way P2 was priced at more than twice the Quad speaker, at £159/pair.
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