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The past year has been a busy one for Hilary Rosen, CEO of the Recording Industry Association of America (RIAA). She suffered a <A HREF="http://tirian.magd.ox.ac.uk/~nick/UnionDebate/">humiliating defeat</A> at England's <A HREF="http://www.oxford-union.org">Oxford Union Debates</A>, celebrated <A HREF="http://www.stereophile.com/news/11548/">new agreements</A> with Silicon Valley companies, and led her organization in the attack on file-sharing service Kazaa. Rosen and the RIAA have also attacked college kids and put pressure on universities to police their students.

One of the more intriguing discussions we had at last week's Consumer Electronics Show (CES) was with Jim Weil of Berkeley, CA&ndash;based <A HREF="http://www.soundapplication.com">Sound Application</A>.

Not for nothing did I name the Kharma-Lamm room at Home Entertainment 2002 the "Best Sound in Show." Show attendees slotted it 17th best [<I>see September 2002, p.59&mdash;Ed.</I>], behind other rooms to which I also gave high marks&mdash;mostly larger rooms featuring far bigger loudspeakers&mdash;but to me, the sound emanating from the Kharma Ceramique 3.2 ($19,000/pair), driven by Lamm electronics, possessed a sublime balance of sonic qualities heard in few other rooms.

Despite my 26 years in audio journalism, the amount of stuff I need to know seems to increase faster than I can cope with it. Thus it didn't come as too much of a surprise for me to learn that speaker manufacturer Canton, the Teutonic equivalent of England's B&W, a) was 30 years old in 2002, and b) claims the dominant market share of the German market. Yes, I'd been peripherally aware of Canton through the years, but for various reasons had never auditioned any of their models. I was amenable, therefore, when Canton USA's Paul Madsen suggested to me last May, at Home Entertainment 2002 in New York City, that I review their flagship speaker.

Sony announced several new titles for SACD release, including titles by Bob Dylan, The Police, and Pink Floyd, at the recent CES. What titles would you pick for the high-rez treatment?

Quad's David Patching was all smiles as he showed off the company's new CD player, called simply the CD-P. No SACD or DVD-A, said Patching, who says they'll wait until either a ton of high-rez discs are sold (not just produced) or until the format war is over and a clear winner emerges.

Back to the Alexis Park for a press conference with Classic Records, which has decided to release its first DVD-Audio disc around February 15. Classic was one of the very first labels to take advantage of the original DVD specification's ability to hold a 24/96 two-channel audio track, and it started releasing DAD discs exactly five years ago. The company's first DVD-A release will be the Vanguard title <I>Songs of the Auvergne</I>, which will feature a 24/192 two-channel DVD-A track and 24/96 two-channel DVD-V track.