Online Music News
Online music is inching its way toward commercial viability.
Online music is inching its way toward commercial viability.
At one time the music industry was known as a cultural force. It could excite the public and change the course of history, even prodding some governments to attempt censorship. These days, the record labels themselves are acting more and more like a police force, looking for ways to restrict and control how music consumers behave.
Last week's Soapbox highlighted the debate between folks who would rather buy from a bricks-and-mortar retailer and those who wouldn't. Does purchasing audio products over the Internet appeal to you?
While doing background on the <A HREF="http://www.stereophile.com//loudspeakerreviews/819/">InnerSound Eros Mk.III electrostatic loudspeaker</A>, Larry Greenhill discovers that "the presidents of all three American ESL companies share common names." But do they share a common sound? Greenhill investigates.
Over the past few years, <A HREF="http://www.psaudio.com">PS Audio</A>'s <A HREF="http://www.stereophile.com//accessoryreviews/181/">P300</A> AC regenerator has been very well received by the audiophile community, winning praise (and a <I>Stereophile</I> "Recommended Components" listing) for its ability to lower the noise floor to vanishing levels and to extract unforeseen levels of performance from users' hi-fi systems. Good as it is, the P300 disappointed some because it can't supply enough current for power amps or other juice-hungry gear needing more than its 300W maximum. Some users also complained that despite the sonic improvement offered, the P300 was too bulky for its power rating, ran too hot, and drew too much current when simply idling.
The streak of acquisitions for <A HREF="http://www.dm-holdings.com">D&M Holdings</A> continues. Last month saw the company <A HREF="http://www.stereophile.com/news/11595/">pick up</A> its third major consumer electronics brand when McIntosh Laboratory was brought into the fold with Denon and Marantz. Last week, D&M announced that it was successful in a bid to acquire certain assets comprising the digital video recorder and MP3 business units of troubled SONICblue.
April brought several important executive changes to the audio industry.
Last week found Recoton <A HREF="http://www.stereophile.com/news/11618/">struggling</A> to keep its head above water. This week Gemini Industries tossed the beleaguered company a rope, announcing that it had reached an agreement to acquire Recoton's consumer electronics accessories business. In support of this transaction and Gemini's growth plan, the company raised new funding from Boston-based Parthenon Capital.
The best tonearm I ever heard was a second-generation Mission Mechanic, <I>ca</I> 1986. It was mounted on a Roksan Xerxes turntable, and I spent several happy hours listening to records on that combination (with a low-compliance EMT cartridge) in two very different systems: one with solid-state amplification from DNM and Roksan's own dynamic Darius loudspeakers, and the other—my home system of the time—using tube amplification from Conrad-Johnson and a borrowed pair of Stax electrostatic speakers.