On June 16, the US <A HREF="http://www.cpsc.gov">Consumer Product Safety Commission</A> (CPSC) announced a product recall in voluntary cooperation with equipment manufacturer and distributor <A HREF="http://www.linn.co.uk/">Linn</A>. The notice asks that consumers stop using the recalled products immediately, unless otherwise instructed.
In his review of the <A HREF="http://www.stereophile.com/loudspeakerreviews/604velodyne">Velodyne Digital Drive DD-18 powered subwoofer</A>, Larry Greenhill comments, "When I've tested other 'breakthrough' subwoofers, I've been disappointed. All the convenient fine-tuning in the world won't matter if I end up with the same nasty old room modes and woofer bloat." But as LG discovers, the DD-18 is indeed different.
An argument could be made that most speakers are designed to sound best with their grilles intact, while others might reason that anything in front of a tweeter has got to be bad. Reader Gerald Neily wants to know if you prefer to listen with your speaker grilles on or off.
I recently bought a turntable, the first I've owned in about 15 years. I had sold my vinyl collection—a mix of classic rock, early 1980s pop, and the odd jazz or classical LP—when I was in grad school, for economic reasons: I needed the money for rent, or food, or beer, or something. Nor do I know what happened to my old plastic turntable; more than likely, I left it curbside for anyone strolling by who was able to appreciate its value.
A grainy film is said to exist that proves the viability of a mechanical antigravity device. The inventor, a native of Syracuse, New York named Harry W. Bull (footnote 1) placed his so-called "bootstrap machine" on a bathroom scale, focused a borrowed home movie camera on the dial, powered up the machine, and watched as the numbers spun backward. This event, and the development work that led to it, were the basis for a series of articles—and a subsequent exchange of heated letters—in <I>Popular Science</I> magazine. The year was 1935.
When PR guy Adam Sohmer first told me about the Fosgate Audionics FAP V1, I thought that the impressive-looking device would be the first all-tube preamp-processor—heck, the first tube <I>anything</I>—in my multichannel system. Then I looked closer at the user's manual I'd downloaded from Fosgate's website. Hmmm. No Dolby Digital, no DTS—just Dolby Pro Logic. Of course, the FAP V1 is Jim Fosgate's signature expression of Dolby Pro Logic, and I guess that counts for something. But the more I thought about it, the more interesting a prospect the FAP V1 seemed.
It's common to read ads for new audio hardware that crow about "revolutionary" breakthroughs in sound performance, and that's how Velodyne crowed about their new Digital Drive DD-18, servo-controlled, powered 18" subwoofer. The ads suggested that the DD-18 can be digitally equalized to one's room with a resultant in-room frequency response of 20-200Hz, ±3dB.
Consumers prefer to get a good deal, and dealers like to maintain a healthy profit margin. Somewhere in the relationship is a perfect balance, where buyers get a legitimate product for the best price while dealers make enough money to ensure that the customer can be supported properly.
"No company has done more to vigorously fly the audio <I>tricolor</I> as has Focal-JMlab," declares Paul Bolin, who visits the Focal factory and then reviews the <A HREF="http://www.stereophile.com/loudspeakerreviews/604focal">Focal-JMlab Nova Utopia Be loudspeaker</A>. PB adds, "One thing about the Utopia line has not changed: the exquisite level of finish." But what about the sound?
All of us at <I>Stereophile</I> were saddened by the death of Ray Charles. The giant of music passed away Thursday, June 10 at his home in Beverly Hills, surrounded by friends and family. He was 73.