LATEST ADDITIONS

I wish the domestic audio industry of 2005 were more like the pop-music industry of 2005, with its variety, vitality, and ability to reach beyond its boundaries to move people. And its sense of fun, which hi-fi often seems to entirely lack.

On mornings when I can get up early enough after a late-night listening session, I take the last express bus from my Brooklyn suburb to <I>Stereophile</I>'s Manhattan office. An inveterate people watcher, I notice that while my fellow travelers and I don't form a traditional queue at the bus stop, preferring instead to mill around in something that resembles a jelly donut, we still enter the bus in the order in which we arrived at the stop. The balance between individualism and social necessity is thus preserved.

<B>DAVID CHESKY: <I>Area 31</I></B><BR>
<I>The Girl from Guatemala</I>, Flute Concerto, Violin Concerto<BR>
Wonjung Kim, soprano; Jeffrey Khaner, flute; Tom Chiu, violin; Anthony Aibel, Area 31<BR>
Chesky SACD288 (SACD/CD). 2004. David Chesky, David Eggar, prods.; Barry Wolfson, eng.; Rick Eckerle, second eng.; Nicholas Prout, mastering, editing. AAD? TT: 56:31<BR>
Performance <B>****&#189;</B><BR>
Sonics <B>*****</B>

On July 4, a Brazilian website apparently posted some tools that allowed users of <A HREF="http://www.intervideo.com/jsp/Home.jsp">InterVideo's WinDVD</A> to pull copy-protected data off DVD-Audio discs and store it on the user's hard drive rather than simply routing it to a sound card. According to <A HREF="http://www.afterdawn.com/news/archive/6597.cfm">Afterdawn</A&gt;, the tools didn't "do the decryption themselves, [but] instead patched WinDVD to output the decrypted stream to disk instead of the sound card."

<I>Class&#233;'s new player:</I> <A HREF="http://www.classeaudio.com">Class&#233;'s</A&gt; new Delta line of components now includes a DVD player. The $6500 CDP-300 plays DVD-V, DVD-A, standard CD, DualDisc, Video-CD, S-VCD, and JPEG picture discs, in addition to those encoded with MP3, WMA, and AAC audio formats.

No, folks, vinyl is not dead. And even though my colleague Mikey Fremer is beginning to sound like a broken record, the little guy is right: when it comes to the sound on offer, CD still doesn't come close. There are more turntables, phono cartridges, and tonearms on the market today than ever before. Moreover, with companies like Classic Records, Analogue Productions, and Mosaic offering a steady stream of ultra-high-quality reissues, there seems to be an increasing supply of quality vinyl at reasonable prices.

Canadian electronics manufacturer Bryston Limited has been producing consumer and professional amplifiers since 1974 [see Robert Deutsch's interview elsewhere in this issue—Ed.]. Bryston amps are engineered to be physically and electrically rugged, to meet the stringent demands of professionals, many of whom leave their studio amplifiers turned on for years. While chassis had to be light instead of the audiophile massiveness found in some high-end consumer amplifiers, studio engineers and concert pros continued to favor Bryston amps, which easily passed the "steel toe" test. The 4B, for example, became a standard amplifier for recording engineers and touring musicians.