Underwood, the new vinyl-only record label, which takes its name from the typewriter invented by Frank Wagner in 1896, was founded by writer Nathan Dunne. Dunne’s goal is to publish short stories on vinyl records. Underwood urges us to slow down, focus, listen, and enjoy.
Good news for jazz and vinyl lovers: The world’s greatest record store (at least in New Jersey), <a href="http://www.stereophile.com/asweseeit/708awsi/index.html">the Princeton Record Exchange</a>, just received a collection of over 2000 carefully maintained jazz titles, and they are now on sale, most priced between $1 and $4.99.
Back in October 1989, former publisher Larry Archibald told us to just have fun and buy cheap speakers.
At this moment in time, there’s honestly no way I can justify spending more money on sweet, wonderful, soul-stirring vinyl records. I just can’t do it. I have bills to pay. I have records at home that I haven’t listened to yet. I have laundry to do and groceries to buy. But, damn, am I tempted to go to the First Annual Collect-i-Bowl Record Show at <a href="http://www.brooklynbowl.com/">Brooklyn Bowl</a> this Sunday.
"Reviewed in the box!" is what <I>Stereophile</I>'s founder, the late <A HREF="http://www.stereophile.com/news/j_gordon_holt">J. Gordon Holt</A>, used to call it. You might think you're reading a review, but the realization slowly dawns that there's nothing in the text that could not have been gleaned from the manufacturer's brochure, nothing to indicate that the writer had even opened the box the product came in. When I read a review in another publication or online, I judge it by doing what I recommend <I>Stereophile</I>'s readers do when they read <I>this</I> magazine: I look for the nugget I <I>didn't</I> already know, the facet I <I>wasn't</I> expecting, the concluding jewel I <I>couldn't</I> have predicted without ever having tried the component myself. Sadly, all too often too many of what are promoted as "reviews" on the Web are merely descriptions.
<B>Jeff Beck: <I>Emotion & Commotion</I></B><BR>
Atco R2 523695 (CD), R1 523695 (LP). 2010. Steve Lipson, prod., eng., mix; Trevor Horn, exec. prod. DDD. TT: 40:26<BR>
Performance *****<BR>
Sonics ***½
I did not find what I was looking for at <a href="http://blog.stereophile.com/stephenmejias/jersey_city_record_riot/">the Jersey City Record Riot</a>, but I did find two reasonably priced Tom Waits albums (<i>Blue Valentine</i> and <i>Rain Dogs</i>) and Peter Lang’s debut, <i>The Thing at the Nursery Room Window</i>, on John Fahey’s Takoma label. I had forced myself to be extremely selective, and, though the many kind and interesting vendors were making it difficult for me to hold back from buying more, I did in fact hold back.
As I’ve mused before (though only twice), what’s the point of having a blog if you can’t indulge in a little self-promotion?
“What does it mean to love your father?” the therapist asked.
