Over at <I>Living In Stereo</I>, Steve Messick argues that Southside Johnny has been making the records of his career over the last six years. Forced to tour without his legendary Southside Jukes largish band, Johnny and guitarist Bobby Bandiera have stripped down his R&B sound to its blues skeleton, Messick says.
Steven Pinker has some interesting thoughts about language and the brain, but 'm linking to this article mostly because I can't resist its headline.
I sat down to write the introduction to the 2006 edition of <I>Stereophile</I>'s annual "Records To Die For" extravaganza, and what popped into my head? Why, death, of course. After that, dead rock stars. What a concept. I mean, talk about dying for music.
The one thing I've liked about designer Mike Creek of Creek Audio as much as his design talent is his predictability. I've been following his integrated-amplifier designs for nearly 20 years now, having reviewed, in sequence, the CAS4140s2 (for another magazine), the 4240SE (<I>Stereophile</I>, December 1995, Vol.18 No.12), and the <A HREF="http://www.stereophile.com/integratedamps/327">5350SE</A> (March 2001, Vol.24 No.3). In each case, I was sufficiently impressed with the review sample that I bought it and made it my new reference in my second, affordable system. The predictable part comes from Creek's traditional nomenclature: an "s2" or "SE" (Special Edition) designation has always denoted a modest upgrade, and a numerical uptick in the model number a more significant upgrade, the level of significance denoted by the specific digit being increased. Hence, the update from 4240 to 5350 is intended to indicate a greater improvement in sound than the update from 4140 to 4240.
Older audiophiles remember the splash NAD made in the late 1970s with the introduction of their 3020 integrated amplifier ($175). Ridiculously cheap, it looked graceful and sounded warm, inviting, and holographic. Removable jumpers between the 3020's sections permitted enthusiasts to determine whether the magic resided in its preamp, its power amp, or in some synergy of both.
The mainstream media likes to report that the digital disc is dead, but is it? Do you still purchase digital audio discs (CD, SACD, DVD-A, <I>etc</I>) at the same rate as in the past few years? Or has your purchasing slowed down? Why or why not?
Here's something that's difficult to visualize but nonetheless true: If you attempt to isolate from their environment the working bits of a record player—the main bearing, platter, tonearm, and cartridge—by means of an elastic drive belt and a suspended subchassis of the usual sort, you'll create almost as many problems as you solve.
<B>Gracenote's CMI:</B> Many audiophiles are joyously embracing high-end music servers in their systems, but one vexing little problem has remained for serious music listeners: The metadata tags that work so well for popular music are completely inadequate for identifying classical works.
While both XM Satellite Radio and Sirius Satellite Radio have been growing their subscriber bases (almost 8 million for each), Wall Street has remained unimpressed. Both firms ended 2006 with stock prices that were approximately half their 2006 levels (Sirius at $3.54 and XM at $14.45).
Deutsche Grammophon and Decca/London have announced a first in the history of opera on DVD: the simultaneous release of Mozart's entire oeuvre of operas and operatic fragments. Captured live at the 2006 Salzburg Festival as part of the 250th-anniversary celebration of Mozart's birth, the 19 DVDs feature striking productions of all 22 operas, plus a wealth of bonus interviews with conductors, singers, and other members of the artistic team.