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Katz's Corner Episode 17: Perfecting Perfection
Today I'd like to discuss what I mean by sonic perfection or sonic neutrality. Most audiophiles have observed that excellent playback systems of different manufacturers can sound radically different! Even the most accurate loudspeakers are subtly voiced and are different sounding. But how can there be more than one "right"? Philosophically speaking, two different-sounding playback systems can't both be "right": one of them must be correct and the other must be incorrect! Or maybe both are wrong!
The September Stereophile Is Here!
Sennheiser HD 4.40 BT Affordable Over-Ear Sealed Bluetooth Headphones
I'll often unbox a headphone and take a good hard look and listen and then make a guess at the price before looking it up on-line. I'm usually 25% - 33% low...and disappointed at how much things cost. Not so with the Sennheiser HD 4.40 BT, I guessed $50 high at $199. It's $149...sweet.
Berg Composes a World in Chaos
Krell KSL line preamplifier
Recording of August 1980: Capriccio Italien & Capriccio Espagnol
RIMSKY-KORSAKOV: Capriccio Espagnol
Boston Pops conducted by Arthur Fiedler.
Crystal Clear CCS-7003 (Direct-cut LP). Ed Wodenjak, prod.; Bert Whyte, eng.; George Piros, Richard Simpson, Stan Ricker, mastering; John Meyer, special equipment; John Curl, console design.
One of Crystal Clear's earlier releases (1978), this has very distant, directionally vague sound, but the sound (stupendous by standards of only a few years ago) cannot stand in the way of two of the most exciting performances of these potboilers that have ever been committed to disc.
Wayne Shorter on Piano
Controversy: The Single Speaker Dem Myth
The premise: bringing a second pair of loudspeakers into your auditioning room upsets the sound of the pair you're listening so badly that the first speaker's ability to correctly reproduce the timbre of musical instruments is destroyed. This observation is almost surely correct.
Recording of June 1980: Pictures at an Exhibition, Night on Bald Mountain
Cleveland Orchestra, Lorin Maazel, cond.
Telarc 80042 (LP). Recorded at Masonic Auditorium, Cleveland, OH. Edited at Soundstream, Inc. Mastered at JVC Cutting Center. Robert Woods, prod.; Jack Renner, eng.; Stan Ricker, mastering eng. DAA.
This is unquestionably the best recording Telarc has done to date. It is almost impossible to fault. If I were to pick nits, I would complain about a slight lack of air in the strings. The rest is, simply, superlatives!