LATEST ADDITIONS

There is much to admire and to enjoy in this idiosyncratically charming hybrid loudspeaker. Eminent Technology has been around for about 25 years. Founder Bruce Thigpen was a pioneer in air-bearing technology, and ET's first product was a well-regarded air-bearing tonearm. The company later developed and was awarded patents for its Linear Field Transducers (LFTs): <A HREF="http://www.stereophile.com/floorloudspeakers/308et">push-pull loudspeaker panels</A> that operate on the magnetic rather than the electrostatic principle. Arraying magnets both front and rear of the plastic-membrane diaphragm eliminates a problem inherent in many planar-magnetic designs: as excursion increases, the magnetic restorative force diminishes. As can be expected, this technology is not efficient at reproducing bass, so most such speakers have been hybrids.

<B>MIKE GARSON: <I>The Oxnard Sessions, Volume One</I></B><BR>
Mike Garson, piano; Bob Summer, trumpet; Bob Shephard, sax; Rick Zunigar, electric guitar; Brian Bromberg, acoustic bass; Billy Mintz, drums<BR>
Reference Recordings RR-37 (LP), RR-37CD (CD*). Keith O. Johnson, eng.; J. Tamblyn Henderson, Jr., Marcia Martin, prods. AAA/DDD. TTs: 49:53, 75:51*

<B>SHIRLEY HORN: <I>You Won't Forget Me</I></B><BR>
Shirley Horn, voice, piano; Charles Ables, bass; Steve Williams, drums. With: Miles Davis, trumpet; Buck Hill, trumpet; Branford Marsalis, tenor saxophone; Wynton Marsalis, trumpet; Toots Thielemans, harmonica, guitar; Buster Williams, bass; Billy Hart, drums<BR>
Verve Digital 847 482-2 (CD only). Richard Seidel, Joel Siegel, prods.; David Baker, eng. DDD. TT: 71:13

The Gini Systems "LS3/5a" is an unlicensed and inexact replica of the celebrated LS3/5a outside (remote location) broadcast monitoring loudspeaker originally developed by the BBC in the early 1970s. (For a pr&#233;cis of the LS3/5a's history, click <<A HREF="http://www.stereophile.com/thefifthelement/690">here</A&gt;.)

I'm old enough to remember when "Made in Japan" was an insult. As a child, I saw that phrase on only the cheapest or craziest toys&#151;some stamped out of tin and cupped together by a tab with a fiendish edge, some molded from a distinctively smooth, brittle plastic. The latter included a wind-up bunny on wheels that my father brought home one day: my favorite toy, ever. (It came with a double-barreled dart gun that I seldom used, partly because I loved the bunny too much to shoot it, and partly because the suction-cup darts didn't stick to that kind of plastic in the first place.)

Most of this column is dedicated to two hi-fi products for the masses—not from Lvov, via Vladimir Lamm, of Lamm Industries; or from Leningrad, via Victor Khomenko, of Balanced Audio Technologies; nor from any other Soviet-born audio hero. (Neither Vladimir nor Victor is on the list of "Name of Russia" contenders for greatest Russian of all time.) Nor from any consumer audio company, but from the world of professional audio. An Iron Curtain almost separates the two.

<I>Stereophile</I>'s annual "Records 2 Die 4" will be coming out shortly, but here's your chance to get a jump on the reviewers: What recording from the last 365 days ended up at the top of your musical heap?