Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

A Matter of Measurements

Beginning with this issue, <I>Stereophile</I> readers will notice that more of the subjective equipment reviews are augmented with technical reports describing certain aspects of the component's measured performance. Although test data have lately been increasingly included in reviews, <I>Stereophile</I> has recently made a major commitment to providing readers with relevant measurements of products under review. We have just finished building an audio test laboratory featuring the Audio Precision System One, a sophisticated, computer-based audio test measurement system.

Continue Reading »

Ethan Iverson & "Tootie" Heath!

It’s rare that a live concert captures the mind-bending joy of mainstream post-War jazz. (Recitals of the bebop repertory tend toward the worshipfully literal, like museum pieces.) But just such a rare experience was had last night at Smalls, the convivial (and, yes, small) jazz club in the West Village, where pianist Ethan Iverson played standards with a trio that featured Albert “Tootie” Heath on drums.

Continue Reading »

Be Happy, You've Got:

It's really serious. I mean, in the beginning, you might give yourself a $25 spending limit, knowing very well that you'll find a little spot on the floor, alongside several others who'll be furiously rifling through the dollar bins. You'll almost certainly come away with a nice little stack of a dozen or so beautiful vinyl LPs. And that's all you'll need, really. That's all you'll need.

Continue Reading »

TV on the Radio and Jazz

I’ve just glommed on to TV on the Radio, and let me tell all those who are as out-of-it as I am, when it comes to contemporary rock, the band is really very good. I first heard them play on Steven Colbert’s show, then bought their latest CD <I>Dear Science</I> (which the <I>Village Voice</I> and others touted as the best album of 2008), and I’ve listened to it since at least a dozen times. As I <A HREF=''http://blog.stereophile.com/fredkaplan/012208jazz/''>wrote</A&gt; a little over a year ago about Radiohead, after I first heard <I>In Rainbows</I>, it’s as harmonically and rhythmically sophisticated as just about any work of modern jazz—which is not to say that it’s <I>like</I> jazz but rather that, on any musical level, the purest jazz purist has no grounds for looking down on it.

Continue Reading »

It's Only Hi-Fi!

When I taught a recording engineering program at a California college, one of my first responsibilities to new students was to clarify for them what recording engineering was <I>really</I> about. Many of them entered the program with the impression that recording was nonstop glamor, with a significant part of the job devoted to partying with their favorite rock bands. It was my job to tell them the bad news: Recording was more about lying on your back underneath a recording console on a dirty studio floor with hot solder dripping on your face.

Continue Reading »
Advertisement
Advertisement
Advertisement