LATEST ADDITIONS

"How could there be a bad song called 'Iron Man,' or 'War Pigs,' or&mdash;my cup runneth over&mdash;'Rat Salad'?"&mdash;<I>Nick Hornby, explaining his youthful fondness for Black Sabbath</I>

Simaudio has been doing well in the middle of the high-end market, providing products such as their Moon i-5 integrated amplifier (<A HREF="http://www.stereophile.com/amplificationreviews/620">reviewed by Chip Stern</A> in July 2002), which offers a glimpse of high-quality sound at an affordable price. That's not to say that the Canadian manufacturer neglects the cost-no-object market: the two-box, $5700, Simaudio Moon Eclipse CD player impressed the heck out of Brian Damkroger when <A HREF="http://www.stereophile.com/digitalsourcereviews/343">he reviewed it</A> for <I>Stereophile</I> in April 2001 (with a Follow-Up in April 2003). So when Simaudio's Lionel Goodfield offered me their Moon Equinox player ($2000) for inclusion in my irregular series of CD-player reviews (footnote 1), I didn't need to be asked twice.

Twenty years ago, the introduction of the compact disc put the music world on a new path. Not long after its debut, <A HREF="http://www.meridian-audio.com">Meridian Audio Ltd.</A> launched the world's first audiophile CD player, the MCD. That player and others that followed drew audiophiles into the digital age.

"Whole-house entertainment systems" and "ease of use" may be anathema for many audiophiles, but they bring joy to the lives of many music lovers&mdash;as they seem to do for manufacturers with a keen eye on the bottom line.

Last week we asked about your favorite review. As promised, this week we'd like to know what your <I>least</I> favorite equipment review in <I>Stereophile</I> has been.

In Hinduism, an avatar is an incarnation of spirit&mdash;a god who descends to earth in bodily form. For Kevin Hayes of the Valve Amplification Company (VAC), the Avatar was meant to be nothing less than his defining statement of the state of the audio designer's art. Drawing on the high-tech refinements and scrupulous attention to individual components that distinguish his flagship high-end amps and preamps, Hayes has filtered it all down into one attractively priced integrated amplifier.

I dig tube amps. When all's said and done, good tube amps seem to sound more like real life than most solid-state gear; even after listening to and enjoying the hell out of musical solid-state designs like the Audio Research D-240 II and the Muse Model One Hundred, once I hook up the big VTL Deluxe 225s again it's just like going home. I could go on about timbral accuracy and clearer midrange textures, but the bottom line is, music just plain <I>sounds better</I> when you shoot it through good tubes, and once most people experience that magic, they're hooked.