LATEST ADDITIONS

Having just heard a Bay Area Audiophile Society (BAAS) demo of the PS Audio Perfect Wave Transport ($2999), Perfect Wave DAC ($2999), and Power Plant Premier ($2199), all hosted by the ever-engaging Paul McGowan, I was very eager to hear PS Audio's front end powered by an early prototype of PS Audio's forthcoming class-D Perfect Wave amplifier. Using Focus Audio Master 2.5 speakers ($20,000/pair), two MartinLogan Descent subs, and a complement of Perfect Wave AC12 power cables ($699/meter) and older PS Audio speaker cables not currently on the market, the system delivered the kind of clean, impressively full range sound that has made PS Audio a legend in the industry.

After several years without distribution in the US, Peder Beckman of Norway's Electrocompaniet (kneeling on the left, next to company head Mikal Dreggevik) has quickly established a revitalized US dealer network that should number a good 10 by CES 2010. Without a long-standing reputation for affordable excellence, this would have been next to impossible to achieve in the current climate.

Where, you may ask, are the speakers? All you see are light fixtures.

I first discovered the Eficion F300 loudspeaker ($14,800/pair) at RMAF 2008, where its full-range sound deeply impressed for the price. Since then, the speaker has undergone numerous refinements. Split into two separate compartments, separated by Stillpoints, this is a 3-way 4-driver vented box with a frequency response of 25Hz–40kHz, 89dB sensitivity, and 8 ohms impedance, with a minimum of 6.4 ohms. The front tweeter is an Air Motion Transformer, its rear-firing super tweeter a Heil ESS aluminum ribbon, and its 7" midrange and 12" woofer both from Aurum Cantus. All this has produced a more controlled and detailed sound. Other refinements are identified on the Eficion website.

At least two people I know came up to me in the hallways of the Marriott to urge me to check out Intuitive Audio's new Gamma Summit speakers ($10,000/pair). As soon as I walked into the room, the fabulous bass on Patricia Barber's rendition of "Keep on Using Me Until You Use Me Up"—I'm guessing at the title—told me why. The system's riveting presentation also featured the kind of musical highlights for days that audiophiles love. Next I heard the same Mahler Symphony 2 recording I've been playing a lot at RMAF 2009. The speakers did an extremely fine job of controlling and highlighting the bass line, and also sounded very vibrant on top. Congratulations to designer Dale Pitcher for a job well done.

<B>LUKA BLOOM: <I>Riverside</I></B><BR>
Reprise 26092-1 (LP), -2 (CD). Mike Krowiak, eng.; Jeffrey Wood, prod. ADA/ADD. TT: 44:31

One of the first rooms I visited at RMAF was the one shared by Luxman and Vivid distributor On a A Higher Note and cable manufacturer Synergistic Research. Auditioning the South African Vivid Giya speakers ($58,000/pair) had been a <A HREF="http://blog.stereophile.com/ces2009/vivid_vivids/">highlight of the 2009 CES</A> and I wanted to repeat the experience before the speakers wended their way to Wes Phillips' place for a forthcoming <I>Stereophile</I> review.