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LATEST ADDITIONS

Listening #106

In 2010, sales of motorcycles equipped with sidecars accounted for only 4% of total motorcycle sales in the US. But that was a significant increase over 2009, which was itself an increase over 2008. While numbers remain low overall, sales of sidecar motorcycles are going up at a decent rate, while sales of most other motorcycles are in the toilet.
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VPI Classic 3 turntable & Classic-JMW tonearm

Trends in turntable design shift back and forth over time, each "advance" turning out to be a mostly sideways move. Over its long history, VPI's founder and designer, Harry Weisfeld, has moved the analog goalposts back and forth as he's refined his thinking. His early turntables were mostly standard spring-suspension designs of normal size. By the time Weisfeld produced his fully tricked-out TNT model, which was originally designed to stably hold the heavy moving mass of Eminent Technology's ET2 air-bearing arm, he'd moved to a massive, oversized, sandwiched plinth with isolating feet at the corners. He first used springs and, later, air bladders originally designed to cushion a tractor-trailer's load, and which he'd found in a trucker's supply catalog. Via an O-ring, the TNT's outboard motor drove one of three pulleys that protruded from holes in the plinth, and attached to a T-shaped subchassis that, in turn, drove the other two pulleys via two additional O-rings.
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Mark Hollis: The More You Love

In our December issue, I review Emotiva’s ERC-2 CD player and use Mark Hollis’s eponymous solo album as a reference. It’s a gorgeous disc, both sonically and musically&#151full of emotion, power, urgency, and lifelike detail. It was only earlier this year that I discovered Mark Hollis and his band, Talk Talk, through the kindness of Steve Cohen, salesman at In Living Stereo and friend of Other Music.

I had just met Steve.

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A Quick Dip in the Digital Stream

Valle del Elqui, Chile. Photo: Alberto Bitran.

For the past few months, my system has been in a serious playback rut. The disc tray on my Oppo DV-980H does not pop out, and my Rega P1 is in unmistakably poor shape: the tonearm cable to connect the tonearm to the cartridge ripped off from the tonearm, one of the tonearm pins ripped off the tonearm cable and is firmly pinned onto the cartridge I never installed (an Audio Technica AT95E), and the needle on my old Ortofon cartridge is bent backwards, which is the reason why I needed to change my cartridge to begin with. I promise, I have reasons for all of this. Not good reasons. Thus, most of my music listening for the past seven months, has been done at work in my cubicle via different digital music streaming services, in the hopes of finding a service that would be fun and functional.

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AudioStream.com Launched For Computer Audio Enthusiasts

AudioStream.com is a new website edited by Michael Lavorgna dedicated to making sense of the evolving world of computer audio and getting the best sound from your computer-based audio system.

The site's motto is "Computer Audio For Everyone" and will focus on the world of computer audio hardware, software and music resources. Topics will include hardware reviews from the mass-market right up to the bleeding-edge of what’s possible as well as in-depth analysis of music management software and an exploration of our newest music resources including HD download sites, streaming media and cloud services.

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Wavelength Audio Proton USB D/A converter

I don't remember where I was when the Berlin Wall came down, and I already don't remember what I was doing when Liz Taylor died. (I suppose I was busy not thinking about Liz Taylor.) But I do remember when USB-based computer audio became a serious medium: That was when Gordon Rankin, of Wavelength Audio, introduced asynchronous data streaming, with his proprietary Streamlength software. After that, things picked up speed.
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Sandro Perri’s Impossible Spaces

On the surface, Sandro Perri’s Impossible Spaces is an ordinary pop album: We hear pleasant guitar, intelligent percussion, and a voice that, while lovely, is easily appreciated, palatable, unchallenging. But there’s a depth and darkness to this music that begs to be uncovered.

It’s the sweetness of the voice and the liquid tone of the guitar that draw me in, but the subtle shifts in key, the clever instrumentation, the aching cello and odd flute, the broken lines and strangely abbreviated melodies that make me listen again, confuse and enchant, charm and intoxicate.

Here’s the video for “Love and Light,” the second track from Impossible Spaces:

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