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Modern turntables are a paradox. The ever-evolving technology beneath their sleek exteriors fascinates me. The high-end turntable market these days can feel less like a haven for music lovers and more like a brutalist arms race in pursuit of maximum audio extraction.

Yet, it's not all about performance. Many new 'tables are adorned with outlandish, purely cosmetic flourishes that cause me to chuckle. Some super-bling record players, with their jutting angles and industrial menace, evoke the chrome carcass of the Battlestar Galactica, a testament to mechanical might. Others are even more menacing, channeling the mirror-finish abyss of Darth Vader's helmet, gleaming with a promise of sonic domination—but is that an invitation or a threat?

Setting aside those cosmetic affectations, it's a war, and the enemy—well, the main enemy anyway—is vibrations, which may seem strange considering that vibrations are the whole point of the endeavor.

EISA, or the Expert Imaging and Sound Association, is an organisation representing 56 of the most respected special interest publications and websites from 27 countries that cover Hi-Fi, Home Theater Video, Home Theater Audio, Photography, Mobile Devices, and In-Car Electronics. Every year EISA's Expert Group members, including editors from this publication, test a very wide range of new products from their field of expertise before comparing results and voting to decide on the cream of every product category.

Synthesis: The String Quartet Sessions
Various composers and musicians
ArtistShare CD. 2024. Ryan Truesdell, prod.; Ryan Streber, eng.
Performance ****½
Sonics ****

Until now, Ryan Truesdell has been known for producing two of the most important jazz records of the second decade of the current millennium. Centennial, in 2012, and Lines of Color, in 2015, contained newly discovered works by the great composer/arranger Gil Evans. They were lavish productions with huge world-class New York orchestras. The many honors they received included a Grammy award and multiple Grammy nominations.

Now Truesdell has a new project. His ensemble size has shrunk, but his ambition has not. Synthesis is a three-CD set containing new original works for string quartet by 15 large-ensemble jazz composers including himself.

Sonny Rollins: Freedom Weaver; Isaiah Collier & The Chosen Few: The Almighty; Arild Andersen/Daniel Sommer/Rob Luft: As Time Passes.

Gabriel Fauré: La Bonne Chanson, L'horizon chimérique; Mozart: Symphonies 35, 40, 36; Martinů, Dvořák, Krása, and Klein: Czech Songs; Charles Ives: Piano Sonata No. 2 (Concord, Mass, 1840–1860).

Stereo is the most successful audio gimmick of all time. While dashboard record players, quadraphonic LPs, and MQA have gone the way of Ron Popeil's hair-in-a-spray-can infomercials, stereo remains king. And I am guilty of loving it.

That old expression "men love with their eyes" applies to listening, too. Enabled by the advent of a second channel, the fanning out of musicians across a soundstage fills the room and gives the eyes—and not only the ears—something to do. And I happen to enjoy the soundstage. It may be an utterly artificial delight, but who doesn't love hearing a tambourine coming from 10' to the left of the left speaker? So when I came across an article in which someone likened mono to listening to music through a hole in a wall, the metaphor made sense. Why would anyone want their music congealed in a blob directly in front of them when they could hear it separated out in space?

As always, though, it turns out that things aren't quite so simple...

The best Christmas gift in history was George Bailey being shown what the world would be like without his being born, courtesy of Angel Second Class Clarence, in the classic 1946 film It's a Wonderful Life. More recently, and in the real world, the best gift ever was the release of pianist Les McCann's Never a Dull Moment! (Live from Coast to Coast 1966–1967) a few weeks before Christmas 2023 and less than a month before his death at 88, on three vinyl LPs.