LATEST ADDITIONS

In a four-room, every-seat-filled extravaganza that rivaled some of the Music Matters events in the number of high-quality components simultaneously on active display, the Berkeley, CA wing of Music Lovers Audio devoted the afternoon of December 5 to showcasing components from Vivid, dCS, Wilson, Luxman, Spectral, and other companies. With Philip O'Hanlon of On A Higher Note (distributor of Vivid, Luxman, and other brands), John R. Quick (dCS), Peter McGrath (Wilson Audio), and yours truly (above) on hand to give introductions and offer guidelines on how to listen and evaluate, a large store filled with audiophiles auditioned four fine-sounding systems at four different price points.

On Thursday December 3, In Living Stereo, the high-end audio store in Manhattan's East Village, hosted a party to celebrate the arrival of the Gibbon X, a new floorstanding, three-way loudspeaker from Brooklyn-based DeVore Fidelity.

In their seminal work on the subject of audio "Bluff your Way in Hi-Fi" (1987), Sue Hudson and John Crabbe stated that "the perfect speaker would have no mass and no dimensions. The perfect speaker does not exist, and if it did, it still wouldn't." One might add, as a corollary, that a speaker with zero dimensions would also have infinite cost. At least there seems to be a trend in that direction. The Wilson WATT and Celestion SL700—to use today's two most visible examples—may have attracted considerable attention because of their exceptional performance, but they have also attracted at least as much because of their price/size ratio. Even in a considerably "lower" price bracket, a "simple" two-way loudspeaker with a 6" or 7" woofer costing $1000–$2000/pair would, at one time, have had most audiophiles laughing themselves silly.

On a Thursday night out at Chickie Wah Wah on Canal Street

Stereophile contributing editor John Swenson and I had the good fortune to stumble upon an LP collection the store had purchased and put out in the “new arrivals” section.

Two letters from readers (see below) started us thinking again about something we've mulled at, off and on, for the past year or so: Does today's high-fidelity equipment, for all its vastly improved performance, actually sound that much better than the best of the early components?

This is an electrostatic column speaker, 6' tall and costing $6000/pair. An integral, fan-cooled amplifier is located in the base. The 2SW is said to cover almost the entire frequency range and is based on a patent, number 3,668,335, issued to manufacturer/designer Harold Beveridge on June 6, 1972. Internal acoustic lenses in front of the electrostatic panels widen the speaker's dispersion: In the Beveridge literature, it says "This 6-foot high device consolidated the entire frequency range into a vertical line source, and uniformly disperses it over a horizontal pattern, 180 degrees wide. The beaming characteristics of the high frequencies are ingeniously translated into the same dispersive pattern as the low frequencies, creating a perfectly balanced cylindrical sound wave front."