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In the 1990s, while putting together one of my early hi-fi systems, I'd often visit New York City audio retailer Sound by Singer to gawk at their top-tier wares. On one such visit I noticed a serious-looking gentleman listening to Stravinsky's The Rite of Spring through a pair of Audio Physic's Step loudspeakers (accompanying electronics long forgotten). Sitting on their dedicated, minimalist-looking metal stands, the pint-size Steps were angled up 22° or so, to create a physical time alignment of the tweeter's and midrange-woofer's wavefronts. The Step looked odd—kind of scrawny. But these petite minimonitors projected music that seemed to exist entirely free of their cabinets, pulling off a sort of "disappearing" act I'd never before heard.

"The sound was to die for," I wrote shortly before my resurrection. I was taking notes about the sound of CH Precision's D1 SACD and CD Drive (now $38,000) and C1 D/A Controller (base price $32,000), in the demo room of Michael Woods's Elite Audio Systems, at the California Audio Show, just three months after the 2015 edition of the Munich High End show. CH Precision's L1 dual-mono, solid-state preamplifier (now $58,000), M1 dual-mono power amp ($104,000), and X1 external power supply ($17,000) had helped deliver "fantastic sound."

Friday, February 1, 2–5pm, and Saturday, February 2, 1–5pm, Big Kids Toys AV (1413 Garland Drive, Greensboro, NC 27408) is holding listening sessions. Products being showcased will include Luxman's L-505uXii integrated amplifier and new PD-151 turntable, as well as loudspeakers from Triangle, including the Magellan Cello, and the Esprit Australe EZ and Esprit Titus EZ.

Every time I fly to California, my brain gets stuck on the lyrics of that Arlo Guthrie song: "Coming into Los Angeles / bringing in a couple of keys . . ." Even landing in San Francisco, I'm always smiling, because I've never been busted in California.

Which means that I'm a lucky guy. In this life I have acquired nothing of material value, but I did see Howlin' Wolf and Little Walter in Chicago in 1962, at Theresa's. I spent the whole Summer of Love (1967) in San Francisco listening to music. And because I lived only a few blocks away, I witnessed the Ramones' first gig at CBGB, in 1974.

There are many ways to talk about the remarkable Symphonies Nos.1 & 4 • Jeux vénitiens of Polish composer Witold Lutoslawski (1913–1994). You could, for example, approach them as does Kimmo Korhonen, whose extremely detailed and well-thought-out liner notes for the recent Ondine SACD of these works from Hannu Lintu and the Finnish Radio Symphony Orchestra examine the evolution of Lutoslawski's tonal language and explain that they basically represent the beginning (Symphony No.1, 1947), middle (Venetian Games, 1960–1961) and end (Symphony No.4, 1992) of his arc as a mature composer. Or you could simply close your eyes and discover how many fantastic places they take you to.

I've just returned home from one of the greatest concerts of my life, and felt absolutely compelled to share my thoughts with you. Yo-Yo Ma performed all six of J.S. Bach's Cello Suites, from memory, over a mesmerizing two-and-a-half hours at Red Rocks Amphitheatre, in Morrison, Colorado. It was a truly special experience.

Roon, one of the major brands of audiophile-quality high-resolution music playback software, has just released its v.1.6 upgrade. Roon 1.6 finally includes a portal for hi-rez streaming Qobuz, whose US launch is rumored for sometime next month. In addition to pairing Roon's rich metadata with the entire Qobuz and Tidal catalogs, the upgrade also offers major new features.