LATEST ADDITIONS

What’s the point of having a blog if you can’t be self-indulgent now and then? So allow me to plug my new book, <I>Daydream Believers: How a Few Grand Ideas Wrecked American Power</I> (Wiley & Sons). As the subtitle may suggest, it is not a biography of the Monkees but rather a journalistic dissection of <I>why</I> the United States’ global adventures and image have gone to hell in recent years. Some of you may know that I write a twice-weekly column in <I>Slate</I> about such matters. My book is <I>not</I> a compilation of my columns; it’s all new stuff. The official pub date is February 4, but it’s already in stock in many bookstores and on amazon.

Hi! Where've you been?

Steve Martin has just published an autobiography, <I>Born Standing Up</I>, in which he describes how he created his comedic persona by using logic. That was the easy part, next he had to figure out how to <A HREF="http://www.smithsonianmag.com/arts-culture/funny-martin-200802.html?c=y… it to the audience</A>.

Nigel Tufnel gets an <A HREF="http://chronicle.com/media/flash/v54/i18/guest/">honorary degree</A> at the Berklee College of Music.

Stop me if you've heard this one: Back in the early 1990s, just after the fall of the Soviet Union, I debated professor of music engineering and magazine columnist Ken Pohlmann on a talk show on the CBS radio network. The subject was analog sound vs digital sound, but I guess when Pohlmann felt I was getting the upper hand, he felt he needed to play the tube card. Derisively, he said, "I bet you're one of those tube guys, too, aren't you?" Before I could open my mouth, he continued: "You know, the Soviet Union's military gear, including the MIG fighters, ran on tube electronics, and look what happened to them!"

Downloads are taking off and it has been 25 years since CD was launched, yet audiophile demand for turntables and vinyl continues unabated. When did you last spin a record?

Enid Lumley accosted me in the corridors of Santa Monica's BayView Plaza Hotel in March: "That doesn't sound like a real piano!" I was taken aback. The sound to which the redoubtable Ms. Lumley was referring emanated from a 7' Steinway we had hired for <A HREF="http://www.performancerecordings.com/">James Boyk</A> to play at the <I>Stereophile</I> show. Jim was conducting a series of tutorials on how the sound of a real piano is constituted, so Enid's criticism, on the face of things, seemed absurd. As my face obviously showed this conclusion, she hastily explained that, of course it <I>was</I> a real piano, but the fact that it overloaded the 40-seat room in which it was being played caused it to sound different from the sound of a real piano played in a concert hall. To lead visitors to the show to expect piano records to sound similar to what Jim was producing was dishonest.