Where Measurements and Performance Meet featuring Andrew Jones
Electrocompaniet + Ø Audio at High End Munich 2025
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
CH Precision and Audiovector with TechDAS at High End Munich 2025
Innuos Unveils Stream3 & Stream1—Modular Server/Streamer Lineup Explained | AXPONA 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025

LATEST ADDITIONS

Octave Tunes Up for a Smoother Future

"Our new Octave Jubilee class-A mono amplifier has a slightly different sound than the Jubilee Mono SEs you reviewed three years ago," said Andreas Hofmann. Hoffman is the founder and chief engineer of Germany’s Octave Audio, and he was talking about his forthcoming push-pull monoblock, noting that the amp outputs 160W in class-A lower-power mode and 280W in class-AB high-power mode. The Octave Jubilee’s projected price is $85,000/pair without potential tariff hikes.
Continue Reading »

Accustic Arts: Powering Up the V Factor

Over three years ago, when I reviewed Accustic Arts’s AMP V stereo power amplifier, I called it "the most intelligently designed hunk I’ve ever put my hands on, and one of the finest and most musically satisfying amplifiers to ever enter my system." I wish it were still here so I could reevaluate it with my current system, which has become exponentially more revealing.
Continue Reading »

Fezz Equinox D/A processor

It wasn't long ago that bottom-shelf DACs had this dry, gray, punchy, grainy sound, emerging from a weird mechanical clarity. Their sound reminded me of cheap whisky. The ones that didn't sound like $1 shots replaced the dry grain with some blurry gel. No vitality. No subtle contrasts. No nuance. No air. No atmospherics, no reverberance, and nothing I would call transparency.

Digital's rapidly evolving technology made the next wave of DACs sound strikingly clear and quiet, with some touchy-feely hints of wetness to suggest a more natural transparency. Unfortunately, most of these newfangled wet DACs sounded like distilled water tastes.

For me, digital transparency didn't become truly wet, colorful, or naturalistic until I discovered NOS R-2R converters, which made midlevel four-figure DACs, like my Denafrips and HoloAudio, sound like bits bathed in luminosity. Very relaxed. Grainless. Ektachrome.

Continue Reading »
Advertisement

Lyngdorf Audio MXA-8400 8-channel power amplifier

Woot, woot! I was thrilled when I saw the announcement for this amplifier. I was tempted to order one sight unseen and sound unheard. Why? First off, it employs the newest (as of March 2025) class-D amplification technology. Second, it can accommodate all sorts of audio systems, from an eight-channel surround setup to a megalomaniacal two-channel stereo system. Third, the specs, even in the context of its technology, are impressive. And fourth, I can lift it by myself—easily! How can I pass this amplifier up?
Continue Reading »
Advertisement
Advertisement
Advertisement