LATEST ADDITIONS

Jacksonville's very own House of Stereo, run by Bill Gibson, gave me my third opportunity to hear KEF's relatively new Blade loudspeaker ($30,000/pair). Coupled with Ayre electronics—Ayre MX-R monoblocks ($19,000/pair), Ayre KX-R preamp ($19,000), Ayre DX5 universal player ($10,000), and Ayre phono preamp ($2500)—an Oracle Mk.VI turntable with SME arm and Oracle cartridge ($13,000), and an assortment of Audience Au24 cabling and line conditioners, the system had a laid back and non-fatiguing presentation that just made you want to take off your shoes, lie back and chill. This was an exceptionally quiet and smooth system, especially on vinyl, and one that threw a huge and inviting soundstage.

It's always a good sign when the first room you enter at an audio show makes you happy that you're there. Better yet when the room is on the lobby level, and acts as a good feng shui portal to the 27 other rooms to follow.

Larry Diaz of Miami's High End Palace had put together a fine system whose sound was solid and a bit sweet.

When I arrived on the second floor the first day of AXPONA, the large open landing that had served as a reception area for exhibitors the night before had been transformed into a mellow entryway to sonic heaven. Paving the way on the keys was John Yurick, who was playing John Lennon's "Imagine" as I snapped his picture. Facing him were May Audio's CD display on the left, and Transcendental Meditation on the right. Note that the TM folks do not simply chant themselves to bliss in mantra land, they are also very connected on a cellular level.

Bliss and Beethoven: That's AXPONA founder Steve A. Davis' promise to show attendees. The bliss comes in the form of several show seminars centering around Transcendental Meditation, which he and his wife Carmen have practiced for many decades. Beethoven is served up across the street, Thursday through Saturday nights, courtesy of the Jacksonville Symphony Orchestra under guest conductor Mei Ann Chen. Further bliss hopefully comes as attendees experience audio nirvana, or at least cumulative sonic epiphany, in AXPONA's 28 exhibit rooms.

It's the afternoon before AXPONA Jacksonville opens, and Carmen Davis is getting prepared. Badges are ready, and welcome smiles and hugs are plentiful. But it's not until after 5 that the show guide arrives from the printer. There were, it seems, so many last minute cancelations and room changes that what only a few weeks before had been announced as 40 exhibit rooms has instead been consolidated into 28.

It's hard to believe that it's been 20 years since Michael Kelly formed Aerial Acoustics, introduced the Model 10T loudspeaker, and I wandered into his demo room at a New York audio show and was smitten. That speaker did everything right and seemed to do nothing wrong. Disc after disc was played as I imposed my impression on the listening chair (I recall there being only one). At the time, the 10T was only a bit out of my price range, so for many years it was what I aspired to have. Kelly and I repeated this little play over the years as his speaker line grew, and he always was patient as he explained what he intended for each model and how he had gone about meeting his goals.

The Amati Futura is the third Sonus Faber loudspeaker to be called an Amati. The first, named simply the Amati and priced at $20,000/pair, was reviewed for Stereophile by Michael Fremer in June 1999. I reviewed the second, the Amati Homage Anniversario ($27,500/pair), in May 2006.