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When Jason Victor Serinus arrived at High End Munich 2024, he found that scale and scope of the show to be truly impressive, as you'd expect from the world's largest two-channel audio expo.

Room reports are now posting so check our homepage for more coverage.

Voxativ owner and designer Inès Adler and head of marketing Christopher Owens debuted Andagio, “their newest horn-loaded model meticulously optimized for their exclusive range of field coil drivers,” the press release stated.

Mansour Mamaghani’s Audio Reference, one of Munich’s top high-end showrooms, again filled a massive exhibit space in the MOC with multiple display areas dedicated to major brands.

Walking around this show, your brain blurs. So much information. So little time. But occasionally, a flash of light reflecting a gold hardware detail catches your eye. Consider, for example, amplification products from HSE Swiss Huber, which are beautiful to behold and beautifully made.

“Hitting the ground running” is a suspicious phrase at High End Munich. The show is humongous, a beast, four large buildings with three floors apiece crammed to the rafters with every imaginable audio brand, many unknown to me and most American hi-fi fans.

Takács Assad Labro: Pieces for bandoneón, string quartet, piano, and voice; Smetana: Má vlast; Tchaikovsky, Korngold: Souvenir de Florence, String Sextet.

John Leventhal: Rumble Strip; Umbrellas: Fairweather Friend; The Who: Live At Shea Stadium, 1982; UFO: Lights Out; Tom Rush: Gardens Old, Flowers New.