LATEST ADDITIONS

Actually, the Bowie-is-too-weird thing began with the shot of him in a dress that graced the cover of The Man Who Sold the World.

For a select group of invitees, Philip O'Hanlon hosted two performances in On a Higher Note's Mirage suite with fabled singer-songwriter Lori Lieberman ("Killing Me Softly with His Song.") Lori entered the suite to rehearse while I was listening to recorded music, and began singing unamplified while Philip and I were in the next room discussing the products on display. I had to stop talking. It is rare that I find myself in the presence of a singer whose every sound expresses the depth of her soul. What an artist. To say that I was transfixed is an understatement.

I'm familiar with how opening or closing a side entrance to a music room can affect bass loading, But when Philip O'Hanlon of A Higher Note demonstrated how opening the sliding doors behind the new Vivid B1 Decade loudspeakers ($28,000/pair) increased air and spaciousness, I was duly impressed.

It's unfair to judge the scale of Wilson Audio's forthcoming Alexx loudspeaker ($109,000/pair) from the height of the two gentlemen flanking it, because main designer Daryl Wilson and inspiration/father Dave Wilson are ridiculously tall. But despite the fact that Alexx is 4" shorter than the older MAXX3, his 65" height means he's a foot taller than his not-so-little sister Alexia...

Dan D'Agostino Master Audio Systems' newly upgraded Momentum monoblocks, now called the Momentum M400 monoblocks ($65,000/pair, and shipping now), sounded fantastic in the dCS Suite in the Mirage. The photo is slightly deceptive, because this early-issue pair is housed in the slightly different, original Momentum chassis, but who cares? The mating of D'Agostino Momentum400 monoblocks with Wilson Audio Alexia loudspeakers, Transparent Audio Generation V cabling, HRS SXR isolation system with new Vortex isolators, Meletzsky Stromtank power supply system, and the newly upgraded dCS Vivaldi DAC system delivered the most color-saturated, full-range, impactful, emotionally satisfying and frankly wondrous sound of any room I visited at CES.

We'll be detailing all of the rooms that Graham Nash visited at CES in the next week, but before we get started, here's a small detour that took place about halfway through the day.

Everywhere I go I hear about Andrew Jones the speaker design wizard, and how suddenly, this "trending" new combination of established manufacturing smarts (ELAC America) and engineering magic is making high-value speakers at astonishingly low prices. (I had just submitted a review of the ELAC Debut B6 for the May issue of Stereophile before boarding the plane for Vegas.)