LATEST ADDITIONS

The release of our 2001 Recommended Components online last month was such a success, we now offer readers the opportunity to buy the 2002 "Recommended Components" from both the April and October issues as .pdf files.

Legislation establishing royalties to be paid by small webcasters is stalled in the US Senate until after the November elections.

To date, record label attempts at adding copy-control systems to CDs to restrict their use have been less than totally succesful. We've had Sony discs that <A HREF="http://www.stereophile.com/news/11341/">get stuck in computers</A>, discs that <A HREF="http://www.stereophile.com/news/11261/">don't reliably play</A> in all CD players, <A HREF="http://www.stereophile.com/news/11247/">trademark violations</A>, and CDs that generate <A HREF="http://www.stereophile.com/news/11134/">lawsuits</A&gt; and consumer frustration from not being able to create a "fair-use" personal copy of a disc to throw in the car.

Single-ended triode amplifiers (SETs) have a considerable following, but even their most devoted fans admit that its maximum power output is not among an SET's strengths. You'd be lucky to get an SET that puts out 7Wpc, and some (like those using the 45 tube) are closer to 2Wpc. Highly sensitive speakers (<I>eg</I>, horns) will tend to offset the power limitation, and SETs usually sound more powerful than their measurements indicate, but the laws of physics still apply: 2W is 2W, regardless of the kind of amplifier that produces it, and an amplifier's manner of clipping and recovery from overload take us only part of the way toward achieving greater volume.

A long-running dispute between the music industry and small webcasters may have come to an amicable conclusion. Over the weekend of October 5-6, representatives from both sides agreed on a system of royalties to be paid to record labels and artists based on a percentage of webcaster revenue or expenses, rather than on a per song basis. Last summer, Librarian of Congress James Billington decreed that all webcasters should pay a royalty rate of 0.07&#162; per song per 1000 listeners. Many small webcasters, including many college radio stations, chose to go offline rather than face fees they couldn't afford.

Amplifier of the year? We'll have to wait until the votes are tallied in the December issue, but Paul Bolin reviews the <A HREF="http://www.stereophile.com//amplificationreviews/683/">Halcro dm58 monoblock power amplifier</A> and reveals what the fuss is all about. As Bolin notes, "the sheer audacity of Halcro's claims generated much curiosity and interest."