On August 18, XM Radio invited the press to Manhattan's Rainbow Room to announce its latest product offerings. The locale was not unintentional, according to Chance Patterson, XM's vice president for programming operations, "This building [30 Rockefeller Plaza, headquarters of NBC] was at the center of radio's first flowering, and XM represents radio's future."
In his report on the <A HREF="http://www.stereophile.com/loudspeakerreviews/804ml">MartinLogan Depth powered subwoofer</A>, Larry Greenhill laments, "Reviewing subwoofers is a lonely job that brings no respect." But can the Depth upset one of LG's longstanding prejudices to earn <I>his</I> respect?
In the "Letters" section of the September 2004 issue of <I>Stereophile</I>, veteran audio engineer Richard Burwen essentially says that some audiophiles like tube amps because they act as tone controls. Do you agree?
Power-line conditioning and exotic power cords, once considered the lunatic fringe of tweaking, have become normal parts of audiophile life. Over the last several years Shunyata Research, founded by former NSA research scientist Caelin Gabriel, has established itself as a leading innovator in the area. The company's latest efforts include the Hydra Model 8 power-distribution center ($1995), for use with whole systems or front ends; the two-outlet "mini" Hydra Model 2 ($395), intended for use with power amplifiers; and the Anaconda Alpha and Anaconda vX power cords ($1995), the new top models in the PowerSnakes line.
A man dies and goes to hell, and Satan meets him at the gate: "Just this once, I'm going to let a newcomer choose his own torment," he says as he leads the deceased from room to room, opening doors on all manner of abuse—burning, flaying, Lou Reed's <I>The Raven</I>, you name it.
Sony Classical's head of engineering, David Smith, is a man whose opinions on sound quality I have come to respect. So when David e-mailed me a year or so back, enthusing over a new DAC he'd heard, I paid attention. When Lavry Engineering contacted me about reviewing their DA2002, I didn't need much persuading.
"You certainly love weird music!" my wife yelled from the kitchen. This just reconfirmed my suspicion that reviewing subwoofers is a lonely job that brings no respect. What's so weird about the droning of Tibetan temple horns accompanied by the chants of Tibetan Gyuto monks, all framed by a powerful synthesizer in Philip Glass's soundtrack to <I>Kundun</I> (CD, Nonesuch 79460-2)? What's so strange about the karate-like cries of the drummers in the Kromata Percussion ensemble as they smash away at their timpani and gongs in Yoshihisa Taira's <I>Hierophonie V</I> (CD, BIS CD-232)? What's so odd about the shuddering majesty of 25Hz notes played by Harry Partch's one-of-a-kind Eroica Marimba, heard on his <I>Delusion of the Fury</I> (LP, Columbia M2 30576)? Why would any spouse object to the primitive, driving synthesizer growls and screams from Morton Subotnick's <I>The Wild Bull</I> (LP, Nonesuch H-71208)?
April Music's high-end audio products should soon be available to music lovers throughout the US, thanks to a distribution agreement with Bertrand Audio Imports announced August 11.
We've been hearing about it for years, but high-definition radio may finally be on its way. Feeling competitive pressure from satellite operations XM Radio and Sirius Satellite Radio, US broadcasters are making what appear to be sincere efforts to upgrade their service by moving from analog to digital.
Received wisdom has it that putting all your eggs in one basket isn't a good business plan, but that's exactly what Roxio, Inc. intends to do with its Napster online music service.