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Where Measurements and Performance Meet featuring Andrew Jones
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LATEST ADDITIONS

Oh-oh, It's MAGIX!

We were walking back from lunch the other day with a fellow audiophile who announced that he was selling his audio-component–quality hard-disk–based recorder without ever having used it.

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Finding Music Like the Music That You Like

Let's face it. Despite the vinyl resurgence amongst the young and not so, the days when <I>analogus collecticus</I> could spend hours scouring record bins, holding product in hand, and reading album notes, are mostly behind us. In response to market evolution, at least three competing computer-based technologies have emerged to steer consumers toward music they will likely enjoy. Each uses a different approach, with one claiming "objectivity."

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Recording of June 2005: Haunted Heart

<B>REN&#201;E FLEMING: <I>Haunted Heart</I></B><BR>
Ren&#233;e Fleming, vocals; Bill Frisell, guitar; Fred Hersch, piano, arrangements<BR>
Decca B00004406-02 (CD). 2005. Ren&#233;e Fleming, prod.; Elliott Scheiner, prod., eng.; Peter Doris, Aya Takemura, Brian Montgomery, Anthony Ruotolo, asst. engs. DDD. TT: 63:58<BR>
Performance <B>*****</B><BR>
Sonics <B>****</B>

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Music Critics Discuss Hi-Rez Audio

The first National Critics Conference in US history took place May 25&ndash;29 at the Omni Hotel in downtown Los Angeles. Subtitled "Critical Unity in Critical Times," the gathering brought together US and Canadian members of organizations devoted to visual arts, dance, jazz, classical music, and theater criticism.

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Prix Fixe or à la Carte?

With new music download services, including the move to higher resolutions, one vital question still remains for the music business: Will the majority of consumers prefer to continue purchasing music <I>&#224; la carte</I>, one track or album at a time, or will they prefer to subscribe to an unlimited library?

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