Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

RMAF: Everyone's Favorite Show Opens on Friday

There is no need for Denver's Rocky Mountain Audio Fest to toot its own horn. The three-day affair, which opens at noon on Friday, October 12 in the Denver Marriott Tech Center, promises no less than 431 exhibitors; 174 exhibitor rooms, including 24 large ones (same since 2009): 41 miscellaneous vendors; 35 CANJAM vendors; and an impressive number of show debuts.

The largest US high-end audio show open to the public is also, despite its size and occasionally snow-encrusted environs, the warmest and friendliest audiophile show in the country. For this we owe thanks to Marjorie Baumert, who continues to nurture and sustain the show following the death of her show co-founder and husband, Al Stiefel, at the start of 2009; the exceptional staff at the comfortable Marriott; a dedicated cadre of volunteers drawn from the Colorado Audio Society and Marjorie's extended circle of friends and family; and exhibitors who, welcoming the relative peace and quiet of the location, approach the show as if reuniting with old friends.

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MSB Technology Platinum Data CD IV transport & Diamond DAC IV & D/A converter

The audiophile does not pursue music reproduction because it is useful; he pursues it because he delights in it, and he delights in it because it is beautiful. If music were not beautiful it would not be worth knowing, and if music were not worth knowing life would not be worth living.

My apologies for corrupting the well-known statement by French mathematician Jules Henri Poincaré (1854–1912), in which he described his relationship with science and nature. But substituting audiophile for scientist and music for nature, I feel the sentiment expresses what drives many audiophiles to the extremes for which mere mortals often chide us.

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Coltrane at the Vanguard (Ravi Coltrane)

Ravi Coltrane's quartet is at the Village Vanguard this week, and that in itself is a marker of how confident—ballsy wouldn't be a stretch—this musician has become in recent years. It's bold enough for John Coltrane's son to take up the tenor saxophone as a trade. It takes the next level of audacity to lead a band at the club where Dad laid down maybe the greatest live jazz recording ever. But the ultimate display of self-assurance from Coltrane fils came during his improv on an original tune, "Thirteenth Floor," when he casually quoted a few lines from "A Love Supreme."

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Getting Back Into Hi-fi: Part 4

So where were we? Ah yes, I had just nailed loudspeaker positioning in my tiny bedroom by switching the left and right speakers placing the tweeters on the outside of my array. This change widened the soundstage and stabilized the central image but sacrificed some pinpoint high-end articulation I had with the tweeters inside the widths of the speakers. Yet, excessive bass resonances remained as evidenced through Paul McCartney’s bass runs on “Something” from my Abbey Road LP. Though a touch vaudeville, Paul is still a reserved and classy English gent, and there’s no way his bass guitar would demand such a boisterous presence. I had to get him under control.
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The Entry Level #22

The Tannoy Mercury V1 loudspeakers ($320/pair; see last month's column) were already carefully packed in their box, pushed into a corner of my messy kitchen, ready to go to John Atkinson for a Follow-Up—but I couldn't stop thinking about them. Their delicate, graceful highs and tight, properly balanced bass had entranced me, and, now, as I listened over and over to a recent reissue of Bill Dixon's amazing Intents and Purposes (CD, International Phonograph LSP-3844), I felt a strange urge to unpack the Tannoys and return them to my listening room. I had to know how Intents and Purposes would sound through the Tannoys.
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Clearaudio Ovation & Clarify turntable & tonearm

Like many audiophiles, I cohabit with someone who understands my audio obsession but has no desire to share it. That someone is my wife. Since I began writing for Stereophile, Ashley has helped me carry amplifiers, tape up boxes for shipping, and found room in our house for all the extra components and their boxes—which sometimes make the place look like a scene from an episode of Hoarders. She's a peach. Every time new gear comes to the house or to my studio, my wife has calmly helped me move stuff around while I dance around like a six-year-old on Christmas morning.
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Listening #118

Until recently, my favorite shirt was one I'd found on a clearance table at Macy's: a red paisley thing with long sleeves and a button-down collar, not unlike the ones seen in photographs of Peter Holsapple or the young Syd Barrett. When I first found it, this shirt was dusty, and appeared to have been marked down at least a half-dozen times before bottoming out at a price that wouldn't buy a six-pack of Mountain Dew at the local stop-and-rob. Maybe it was on the verge of being discarded, but I suspect that the people at Macy's had simply forgotten it was there.
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B&O Play Announces Release of BeoPlay A9 Active Speaker System

Last night at top floor of the Trump Soho Hotel (New York, NY), the design-oriented firm B&O announced the release of the BeoPlay A9 as part of their new B&O PLAY lineup of products. The BeoPlay A9 is a single active speaker system designed for seamless integration into home environments. The A9 streams music wirelessly from the customers iPhone, iPad or Android device using AirPlay or your DLNA network.

During their presentation to the press, B&O suggested that this product was not necessarily made for the audiophile but instead those interested in design and feeling enriched by one’s surroundings. Apparently, this message did not sink through to the other geeky writers. During the Q&A, reporters continued to prod whether the BeoPlay A9 could be used in stereo mode with two BeoPlays, to which B&O representatives affirmed that it could, but it was not designed for that intent. While the BeoPlay A9 was designed to sound good, more importantly it was designed to look good.

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Naxos Leaps into the Hi-Rez Stream

Naxos stands poised to release its first 24-bit/96 kHz high-definition audio download. On October 2, one of the label's most important orchestral recordings for the fall quarter, conductor, arranger and composer Peter Breiner's new orchestrations of Mussorgsky's Pictures at an Exhibition, Songs and Dances of Death, and The Nursery, will become available, not as a physical CD, but rather as high-resolution and MP3 downloads. Expect the link to appear on iTrax, eclassical, classicsonline, HDTracks, hiresaudio.com, theclassicalshop, and Ariama, with Linn and Onkyo coming on board soon thereafter.
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