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Sony SCD-XA9000ES SACD player

Sony's first flagship Super Audio CD player was the two-channel SCD-1, <A HREF="http://www.stereophile.com/showarchives.cgi?180">reviewed by Jonathan Scull</A> in November 1999. (The $5000 SCD-1 had balanced outputs; the cosmetically different but otherwise identical $3500 SCD-777ES had unbalanced outputs and was <A HREF="http://www.stereophile.com/showarchives.cgi?346">reviewed by Chip Stern</A> in April 2001.) Sony's second-generation flagship player, the $3000 SCD-XA777ES, was <A HREF="http://www.stereophile.com/showarchives.cgi?491">reviewed by Kalman Rubinson</A> in January 2002, and added multichannel capability with channel-level adjustment and bass management. Sony's third-generation flagship is the SCD-XA9000ES, also priced at $3000, which adds time-delay adjustment for its multichannel analog outputs and is presented in a smart new styling that Sony calls "Silver Cascade." The disc drawer and the most frequently used controls are on the angled top half of the brushed-aluminum front panel; in the lower half are the display, the headphone jack and its volume control, and the multifunction control knob.

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Krell SACD Standard multichannel SACD player

With the exception of dCS and Accuphase, you don't see anyone jumping on the bandwagon of $15,000-plus SACD players&mdash;and for good reason. Despite enthusiasm for the format within the relatively small audiophile community, high-resolution audio isn't exactly making waves on the front pages&mdash;or even the back pages&mdash;of the mainstream news media. And while ABKCO Records has sold millions of Rolling Stones hybrid SACD/CDs, and Sony is looking to repeat that phenomenon with the recent Dylan hybrids, what's being sold in both cases are CDs, <I>not</I> SACDs. The higher-resolution layer is simply going along for the ride.

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Linn Unidisk 1.1 universal disc player

The manufacture and marketing of so-called "universal" digital disc players should have been a no-brainer right from the start. I recall the first demo of SACD I attended, when both SACD and DVD-Audio were little more than promises and contentions. That prototype Philips player consisted of several cubic feet of hardware controlled by a computer, even though mockups of more marketable SACD players were arrayed around the room. After the demo, I asked one of the Philips engineers if it were possible to make a player that could handle CD, SACD, <I>and</I> DVD-A. His reply: "Sure, if <I>they</I> let me do it."

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Sony & BMG Tie the Knot

And then there were four: Sony's music division and German media company Bertelsmann, parent of the BMG record label, have decided that they've got a better chance under one roof. Last week, the two companies revealed that they will merge their music divisions into a new company called Sony BMG.

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Stanalog Acquires Well-Tempered Labs

Few audio products have proved as enduringly fascinating to audiophiles as William Firebaugh's Well-Tempered Turntable design. At once elegantly simple and technically sophisticated, it was an immediate hit with music lovers and critics alike&mdash;and was long a staple of <I>Stereophile</I>'s "Recommended Components" list. For the greater part of the product's 20-year lifespan, the Well-Tempered 'table has been distributed and manufactured under the direction of Transparent Audio, Inc. However, Carl Smith, the Transparent partner who supervised the manufacture of the Well-Tempered line, decided to retire this year, and Transparent determined that it should concentrate on its cable business.

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