LATEST ADDITIONS

It took two visits until this room got silent enough for me to get a handle on what was going on sound-wise. There was a lot going on, and it was not always easy to parse.

The big items of note were prototype Spatial Audio Lab open-baffle loudspeakers (price and release date TBD) that descend to 30Hz and two components from Don Sachs and Lynn Olson Design, the Statement 300B monoblock amplifiers ($18,500–$19,900/pair) and Raven preamplifier ($4600). Both products will be manufactured by Spatial Audio Lab later this year.

As much as I attempted to skip equipment we'd recently explored in Chicago, Munich, and/or Costa Mesa, my uncertainty about the intrinsic sound of CH Precision Series 1 equipment impelled me to check out their exhibit from greater Seattle dealer Audio-Ultra. While not everything in the system was from CH Precision—Ideon supplied the Absolute Epsilon DAC ($47,000), Absolute Epsilon Stream ($19,900), and Absolute Epsilon Time Signature V clock ($22,000), all of which complemented Aurender's N20 music server ($12,500)—there was sufficient CH Precision equipment in the chain to draw some conclusions.

For the second year in a row, the first room at PAF I entered was dominated by Dan Wright's ModWright equipment. Presented in equal partnership with Seattle HiFi, who carries all the components on active display, the room was headed by ModWright's new KWA 99 fully balanced, class-AB, compact MOSFET monoblocks ($7500/pair introductory price—normally $9000). Mated with the matching LS 99 fully balanced tube preamplifier ($6500 introductory price), the system produced extremely quiet, absolutely lovely sound. This was a great start to the show.