Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

How much bass is enough?

Reader T. Bloom asks: "Do you tend towards bass frequency-response accuracy, or would you prefer either a little more or a little less bass than measures flat in your listening room?" In other words, how much bass is enough?

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Grails: Doomsdayer's Holiday

It's Friday evening. I would like to be at home, sitting on the orange couch, a beer in my hand, the light rain tapping against my windows, listening to Grails' <i>Doomsdayer's Holiday</i>. Sounds bleak, doesn't it? But Grails are really kind of perfect for this sort of warm, rainy autumn night, with their dark mix of Eastern psychedelia, folk, metal, and free-jazz ramblings. Beautifully recorded, too, with heart-jolting impact and sweet, sweet dynamic range.

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Listening #71

Here's how God makes audiophiles: He starts with several million blank brain cells, then programs each one, individually, to function as either a love for one single aspect of music reproduction or a hatred for another. There are over a thousand such cells&#151;far too many to list here&#151;but theologians and audio reviewers have worked together to compile this list of the Top 20, which, just like real life, contains a little more love than hate:

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Naxos: From 320kbps to Lossless to Blu-ray

Naxos has taken a major step toward distributing higher-quality downloads of classical-music recordings. <A HREF="http://www.classicsonline.com">ClassicsOnline</A&gt;, the label's impressive download site, now offers the world's largest collection of classical-music recordings free of digital rights management (DRM). All of the site's nearly 22,000 albums, from more than 100 independent labels, are available at 320kbps.

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DNM 3D Six preamplifier

It isn't enough to say that engineer <A HREF="http://www.stereophile.com/artdudleylistening/404listening">Denis N. Morecroft</A> is one of contemporary audio's few visionaries: He's one of a <I>very</I> few mature designers whose passion for doing things a certain way hasn't abandoned him in the least, and whose well-argued convictions seem stronger than ever. Thus, as others cave in to commerce&#151;the tube-amp designer who offers a solid-state product just to help his dealers fill a price niche, the source-component manufacturer who rails against digital audio one day and starts cranking out CD players the next&#151;DNM Design remains the likeliest of all modern companies to stay its course.

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