LATEST ADDITIONS

MBL's Chief Engineer, Jürgen Reis, also records Cologne's famed period-instrument ensemble, Concerto Köln. It was thus only fitting that two musicians from the ensemble, bassist Jean-Michel Forêt and violoncellist Alexander Scherf (who is also music director of Concerto Köln), visited the MBL room at Munich High End to play some music, talk music history, and enable comparison of live vs. reproduced sound.

Of the fraction of rooms and booths I was able to cover at Munich High End 2023—the "I wish I could have" list is at least as long as that of the exhibits I enjoyed—Rockport Technologies' triumphant meeting of its Orion loudspeaker ($133,000/pair–$143,000/pair with the custom finish shown) with Absolare's Altius phonostage ($52,000), Eternum preamplifier ($85,000), and Hybrid Altius monoblocks ($120,000/pair) was an unqualified triumph. There was, of course, far more in the system than those four components, but what's most important is the effect of the music on visitors. As Absolare's Kerem Küçükaslan cued up "You Look Good to Me" on a classic Oscar Peterson LP, everyone sat at rap attention. Ella and Satchmo's "Isn't it a Lovely Day" sounded about as warm, luscious, liquid, musical, and dreamy (as in "If this is a dream, please don't wake me up") as it gets.

Quite the well-conceived display, don't you think? I have to say the same about the sound, one of whose high points, on Gabriel Rios's "Swing Low," was a wonderfully large and captivating soundstage.

Grimm's new MU2 music streamer/DAC/analog preamplifier ($18,000), which will start shipping in October or November, is already back-ordered.