Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
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Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

Hafler XL-280 power amplifier

Some time ago in these pages, Anthony H. Cordesman observed rather ungraciously that the whole line of Hafler electronics "could do with reworking." This was interpreted by many readers&#151;including the good people at the David Hafler Company&#151;as meaning that AHC felt the entire Hafler line to be mediocre. In fact, he does not. (He had given a Hafler product a positive review a few issues previously.) Tony's comment, however, did express a sentiment that most of us at <I>Stereophile</I> have shared for some time: a feeling that Hafler products had slipped from the position of sonic preeminence which they enjoyed during the 1960s and '70s to one of mere excellence in a field where only preeminence is acclaimed.

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Copycode & the Future of DAT

Now that Sony has bought CBS's records division, and the infamous Copycode bill seems to be dying in Congress, the way may be clearing at last for the US introduction of the new Digital Audio Tape system. This has sparked renewed speculation in the industry about the impact DAT will have on existing formats, particularly the fledgling CD. Some are convinced DAT will kill CD, because of its ability to record as well as play digital recordings. Others believe DAT won't even gain a foothold in the market, for the same reason quadraphonic sound laid an egg back in the '70s: The public can't handle more than one "standard" format. I feel that both views are wrong, and that&#151;as is usually the case with extreme views&#151;the truth lies in between. I believe DAT will catch on in the marketplace, but never in a big way, and certainly not the way CD has. Here's why.

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Armed and Ready

A couple of friends came over this weekend to listen to records, and I’m happy to report that we experienced no trouble at all. No static, no distortion, no woman, no cry. Record after record, beer after beer, the Rega sounded just fine. I do believe <a href="http://blog.stereophile.com/stephenmejias/all_schmutzed_up_and_i_dont_k… days of vinyl misery</a> are over. But just in case the static monster decides to come round again, I also picked up a can of StaticGuard ($4 at DuaneReade). Before the dudes came over, I sprayed the stuff on the rug in front of my system, as well as on the curtains behind the system. The smell wasn’t so bad and the dry mist evaporated quickly. My apartment has never been so static-free.

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Describe your personal hi-fi hell, or tell us about your most treacherous hi-fi demon.

The path to audio nirvana sometimes takes us in dark and difficult directions. We must fight terrible evils (such as room nodes) and stand strong against great adversities (such as <a href="http://blog.stereophile.com/stephenmejias/making_music_again/">static electricity</a>) to achieve sonic bliss. We have all encountered our fair share of audio demons. Describe your personal hi-fi hell, or tell us about your most treacherous hi-fi demon.

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Axpona Approaches

<A HREF="http://www.axpona.com">Axpona</A&gt;, the Audio Expo of North America, is geared up for its premiere next Friday in Jacksonville, Florida. The new Show runs March 5&#150;7 at the 350-room Wyndham Riverwalk Hotel, which overlooks the St. Johns River and is just 15 minutes from the Atlantic Ocean. Sponsored by <I>Stereophile</I>, which will blog live from the show, Axpona is already looking like a winner. Impressive figures for advance Internet registration (discounted through March 1) indicate that Axpona might meet or even surpass attendance at last year's Rocky Mountain Audio Fest, in Denver.

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Listening #86

On two occasions I've caught myself wondering how to afford a pair of Wilson Audio loudspeakers. Interestingly, both happened within the past year. The first was in April 2009, at the <A HREF="http://www.stereophile.com/ssi2009/wilsons_to_the_maxx">Son et Image show in Montreal</A>, during a demonstration of the <A HREF="http://www.stereophile.com/floorloudspeakers/wilson_audio_specialties_m… Series 3</A>. The experience was notable for its blend of genuinely great sound with genuine musicality: Each performance unfolded of its own natural accord, with human randomness and nuance, and without the fussy, mechanical, shallow artifice that attracts some audiophiles in the way a carnivorous plant attracts flies&#151;and, if they're lucky, kills them (the audiophiles, that is).

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