High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors
JL Audio Subwoofer Demo and Deep Dive at Audio Advice Live 2025

LATEST ADDITIONS

Tone Imports: Revival Audio, Dynavector, Audio MusiKraft, FonoLab, Leben, Tellurium, Sugden, Box Furniture

Meeting up with Tone Imports’ Jonathan Halpern and Pitch Perfect Audio’s Matthew Rotunda was like a family reunion for me. Along with John DeVore and Twittering Machines’ Michael Lavorgna, Halpern is one of my oldest friends and audio guides. His east coast (or Midwest) appearances are rare since he restationed himself in the sunny California desert. His and Rotunda’s ability to assemble a beautiful sounding system remains the same as it ever was.
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Focal and Naim Bring the Power

On Thursday night, Chris Shaw, one of Focal’s setup men, was having a tough time. He’d almost finished dialing in the 584-lb Focal Grande Utopias EM Evo speakers, but their bass (14Hz at -6dB) caused a ceiling light fixture in the large Focal/Naim room to rattle. Shaw pushed a printed show banner out of the way to make space for a ladder. A few minutes later, thanks to some sticky tape, the distracting noise was gone.
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Estelon, Crystal Cable, and Vitus Audio Knock our Socks Off

Distributor Aldo Filippeli of the Luxury Audio Group sure knows how to get the press’s attention. Schedule a room in the Convention Center that he can set up beforehand, invite the press to hour-long sessions before the show begins, and ensure that we come away fulfilled. When Alexander Vitus Mogensen, CEO of Vitus Audio, quipped, “This is the best sounding room at the show right now!” he was telling the truth. In all honesty, if it doesn’t turn out to be one of the top five best sounding rooms at AXPONA 2024, if not the best, I’ll be surprised.
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ARCAM Radia A25 integrated amplifier

I've been to a few bowling parties and passed a bottle around a few fire pits, but I've never watched an audiophile unboxing video. Lately though, I have been paying closer attention to my first impressions of each new audio product as it enters my realm.

I'm finding it interesting to notice how a device previously unseen and unheard declares itself one small step at a time as I open its box, feel its heft, observe its form, study its manual, and, finally, wire it into my system. Those start-up experiences, plus my gut feelings during my first moments of music listening, establish a tone of innocent discovery I wish would last the whole month. It never does.

I mention this because my first impressions for my first-ever review of an ARCAM product, the Radia A25 integrated amplifier, were in that "innocent and receptive" mode from the instant I saw the box sitting outside my door.

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It's Showtime!

Photo: Jason Victor Serinus

Though I'm writing this in early March, this As We See It column will be published in the May issue, which is the issue that will go to AXPONA, America's largest audio show, held each non-pandemic year at the Renaissance Schaumburg Hotel & Convention Center near Chicago. This year's show takes place Friday–Sunday, April 12–14. The show opens each day at 10am and closes at 6pm Friday and Saturday; Sunday's closing time is 4pm. If you're going to the show, don't forget to stop by the Stereophile booth, Location 9213 in the exhibit hall.

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Gramophone Dreams #83: Benz Micro Gullwing SLR, Goldring Ethos phono cartridges, Meze 109 Pro headphones

It was almost Christmas, a perfect, chilly, blue-sky day to visit the Met Museum and see the Manet/Degas show before it ended. On my way, walking north on Madison Avenue, I passed the uptown branch of Gagosian Gallery and noticed a brightly lit poster behind thick glass announcing their exhibition of American artist Brice Marden's last paintings. The title of the show was "Let the painting make you," which sounded like an invite and a challenge, so of course I had to go in. I was in the perfect mood to ride in Gagosian's swanky private elevator and see how a famously serious painter with a six-decade career chose to communicate his last thoughts.
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