LATEST ADDITIONS

The electronics of Borg.Audio’s Christian Gunther look like they're straight off the bridge of the Starship Enterprise. With their retro-futuristic visual style, you’re bound to either love or hate them. Though I didn’t hear them at Gunther’s static display, I’m already in the first camp.

Big components need a big room and a big man to explain it. Nick Döhmann talked turkey and then some regarding his new Döhmann Helix One Mk3 turntable ($70,000) with a new 10.5” Supatrac Nighthawk tonearm (£12,500), and Air Tight Opus 1 cartridge.

Over a long career, thinker and audio designer Barry Thornton has carved his own paths and formed his own opinions, broad views about how the universe works and how one thing connects to another. He applies scientific principles broadly, too: From action comes reaction, though it may not always be predictable. "Do something, and everything else starts to occur," he said of his endeavors. Longtime readers and seasoned audiophiles will recognize Quintessence Audio Group, a maker of hi-fi electronics in the 1970s and '80s. Thornton founded the company and served as its main designer. He has worked with companies including SAE (where he became Chief Engineer), ESS, Parasound, and Monster Cable. His journey eventually led him to Austin, Texas, where he recently founded Austin AudioWorks.

Jeff Joseph pops up in all the fashionable places, and when he does—whether it's at Capital Audiofest, AXPONA, or here at High End Munich—his sound is always stellar. Today’s lineup was consistent with the pattern

One of my coolest radio-related experiences happened just a few months ago, when, churning through FM stations in my car, I encountered a country-inflected male voice singing "Fast Car," the Tracy Chapman song. Rolling Stone dubbed "Fast Car" the 168th best song of all time. It has audiophile cred because its simple sonics (predominantly voice and acoustic guitar) and good engineering made it an important test track, used, eg, by Harman for listening tests and by others for assessing compression artifacts in MP3s.

Charles Lloyd: The Sky Will Still Be There Tomorrow
Lloyd, tenor & alto saxophone, bass & alto flute; Jason Moran, piano; Larry Grenadier, bass; Brian Blade, drums, percussion
Blue Note 00602458167962 (reviewed as 24/96 FLAC; available on CD, digital, LP). 2024. Dorothy Darr, Lloyd, Joe Harley, prods.; Dom Camardella, Kevin Gray, engs.
Performance *****
Sonics *****

The Sky Will Still Be There Tomorrow was released by Blue Note Records on March 15, 2024, which was Charles Lloyd's 86th birthday. It is Lloyd's 47th album as a leader—the first was Discovery!, on Columbia Records, in 1964—how about that! With a running time one minute over an hour and a half, pressed on two LPs, this album is a significant addition to Lloyd's era-traversing catalog. Of the album's 15 tracks, 13 are Charles Lloyd compositions, split between new pieces and new arrangements of older works.

Not every exhibit in Munich is colorful, but many are. Walking through the exhibit halls, I was inspired to try and catch some of the most striking.