LATEST ADDITIONS

For two years now, pandemic-related supply-chain issues have racked (but not wrecked) the high-end industry. Things still aren't back to normal, and sometimes planned product launches have to be pushed back. Today, when I visited the room featuring Magico loudpeakers and Luxman electronics—see KM's report here—I found out we'll have to wait just a little longer for the next Magico speaker, but I can't imagine that anyone was disappointed when the company's Peter Mackay brought the M6s ($185,000/pair) to AXPONA. A known quantity they may be—the product was introduced five years ago—but I was whistling Eric Clapton's "Hello Old Friend" as soon as I saw them.

The Germans have a great word to describe things that are insipid and inoffensive: salonfähig ("fit for the parlor"). On that note: How many Patricia Barber tracks can a man take? After two days at AXPONA, I craved some kickass rock 'n' roll. Green Day, Rammstein, Rage Against the Machine; the Rolling Stones or Led Zeppelin would do in a pinch. And fortunately, that's the scene I found in the JBL room. Unapologetic raucous rock emanated from the new 13"-tall JBL L52 bookshelf speakers ($995/pair), powered by a JBL SA750 Class-G streaming integrated amplifier ($3000).

In search of beauty and excitement, I struck a lode on the fifth floor, where a pair of just-introduced, double-ported, full-range Revel 328Be speakers ($17,600) played in tandem with a spiffy Mark Levinson front end: the No 5101 streaming SACD player/DAC ($5500), the 5206 preamp ($9000), and the 5302 power amp (also $9000).

When a brand that's rightly famous for world-class electrostatic panels wants to design a line of in-wall speakers, things can get pretty daunting. After all, electrostats are dipoles—sound flows from both the front and back. Installing a dipole in a wall is as useless as hanging a stained-glass window in a dark closet.

Trends come and go. Manufacturers lose their shirts and pull up stake. This year's hot design trend becomes tomorrow's price knockdown. Amid the hype and ballyhoo often found in high end audio, Audio Note (UK) remains an oasis of beauty, purity, and simplicity, and at affordable prices. A legacy brand that doesn't feel the need to change designs, when, after all they make music, Audio Note (UK) offered lucidity and great music at AXPONA.

Bill Duddleston brought not one, but four of his Legacy Audio systems to Axpona, where he mixed and matched components, but each system was largely unique, especially in the loudspeaker complement.

The AXPONA experience is head-spinning in more ways than one. So many rooms, so many people to meet, so much gear to listen to. And so much regret when you realize that you can't fit it all into two or three days, unless each day were to last as long as it does it on Mercury. (Maybe one day we'll have audio shows there—sign me up!)

Another head-spinner occurred Saturday morning when I had to almost forcibly drag myself off the listening couch in the 16th-floor Avantgarde Acoustic room, where dCS front-end gear and a pair of gargantuan Trio G3 horn speakers ($180,000) had bowled me over with perhaps the most heavenly, enveloping sound of the entire show. Why did I leave? Because I had an appointment at the Devialet room on the same floor to listen to...(drum roll) a Dolby Atmos soundbar.