Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Marantz Model 40n integrated amplifier

On a cold, clear February morning, I attended my first in-person press event since the beginning of the pandemic. Marantz had invited me to a small group session in a suite at the Equinox Hotel at Hudson Yards but gave no indication of what was in store. After two years without live press events or audio shows, I was not going to spurn the offer no matter what would be presented: I was hungry for hi-fi. Upon arrival, I learned that Marantz would be featuring just one new product, a streaming integrated amplifier, the Marantz Model 40n ($2499). Sure, I'm in.
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A Personal PAF Postscript

So, just how hot was it? Residents of Florida, Texas, and other southern states may laugh, but the greater Seattle Area is ill-equipped to cope with temperatures that topped out at 96°. Nor could the poor Doubletree Hilton at SEATAC's air conditioning keep upper-floor hallways cool; those with glass-faced enclosures facing the sun reached fry-me-an-egg levels. At some hours of the day, the temperature in the elevator was ridiculous.
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The Pacific Audio Fest's Inaugural Outing

How does anyone adequately and fairly evaluate a first-time audio show in a new location? Especially when it's handicapped by unusually hot, mid-90º weather and yet another COVID surge that was accompanied by admonishments to mask up indoors?

First, I rejoice that the show brought together so many old friends in such a convivial manner. A case in point: Marjorie Baumert, head of the former Rocky Mountain International Audio Fest (left above), headed west from Denver to support show organizers Gary Gill (right above) and Lou Hinkley (hard at work elsewhere) as volunteer coordinator. With such heart helping to guide the operation, the feeling in rooms and hallways was as positive as it gets.

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ModWright Debuts its Analog Bridge

If any company's sonic signature has changed from the first time I encountered it, it's Dan Wright's ModWright. While Dan still does tube modifications to products from other companies—his Cambridge CXN V2 Tube Modification ($1500/mod only) to the Cambridge DAC was part of the show system—the KWH225i class-AB Hybrid Integrated ($9750), PH9.0X Tube Phono Stage ($4750), and world debut Analog Bridge (maybe $2900/TBD) are 100% ModWright.
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Parasound amplification with the Innuos Zenith, Marantz Ruby, Dr. Feickert Woodpecker Deluxe, and KEF Blade Meta speakers

Of the two systems in Parasound's large room, time only allowed a listen to the big one. Given that room's entire front wall was composed of outward-facing glass, Parasound's Phil Jackson had no choice but to opt for heavy draping that, as with all heavy draping, nipped depth in the bud.

I initially typed "death" rather than depth. Whatever that may say about my own internal preoccupations, it does not reflect on the core of the system's sound, which was gratifying alive without being hot or splashy.

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PureAudioProject's open-baffle speakers with Pass Labs, Denafrips, and VPI

The email read, in part, like an equipment list with Herb Reichert's name on it. The room had one raison d'être: to showcase Pure AudioProject's Trio15 Classic open-baffle speaker ($9740/pair), which includes a Voxativ AC-PiFe wooden-cone center driver and three 15" woofers custom-manufactured for PureAudioProject by Eminence. To do so, Ze'ev (Wolf) Schlik paired his speaker with Pass Labs' INT-25 integrated amplifier ($7500) and XP-17 phono preamp ($4300), the Denafrips Terminator Plus DAC ($6400), and VPI Industries' Avenger turntable ($12,000) with Shyla cartridge ($2000).
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NWAA Labs: Measurement Beyond The Atomic Level

The setting is surreal. As you drive into the Satsop Business Park in rural Elma, Washington (pop. 3500, max), eyes immediately fixate on the looming 481'-tall cooling towers of an abandoned nuclear facility. Remnants of the largest nuclear power plant construction project in the United States, the site was mothballed in 1983, in part due to concerns triggered by reports of what had happened at Pennsylvania's Three Mile Island four years earlier.
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CAT goes Clique at PAF

When I entered the room shared by Ken Stevens' CAT (Convergent Audio Technology) and Michael D. Griffin's ESP (Essential Sound Products), recording engineers/life partners Jim Anderson (above) and Ulrike Schwarz were finishing up a talk/demonstration about recording Patricia Barber's album Clique. They are not the only world-class engineers I've encountered who, standing well to the side and above speakers' tweeters, played tracks so loud that voice and instruments spread and distorted. But in soft passages, and once they'd turned the volume down, the beautiful liquidity of the CAT sound, the superb engineering, and the excellent dynamics of system and recording alike came through for all to relish.
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