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Every product listed here has been reviewed in Stereophile. Everything on the list, regardless of rating, is genuinely recommendable.

Within each category, products are listed by class; within each class, they're in alphabetical order, followed by their price, a review synopsis, and a note indicating the issues in which the review, and any subsequent follow-up reports, appeared. "Vol.46 No.7" indicates our July 2023 issue, for example. "WWW" means the review is also posted online.

Resurrecting musical treasures is a tough business. The explosion of vinyl-reissue labels, ranging from superlative to second-rate, has made it increasingly difficult for newcomers to stand out—to make the kind of splash that serious LP buyers will notice. Even more elusive is endurance and turning a profit. The affable, musically savvy James Batsford, owner of a pair of vinyl-only UK labels, New Land Records and Omerta Records, can't help but laugh over our New York–to–London Zoom connection when I ask why an obviously intelligent person with taste, like himself, would jump into the vinyl-reissue tarpit?

PJ Harvey: I Inside the Old Year Dying
PTKF (auditioned as 16/44.1 FLAC stream on Qobuz). 2023. Produced by PJ Harvey, Flood, and John Parish.
Performance ****
Sonics ****

In 2022, PJ Harvey published an epic poem called Orlam. Harvey's 10th studio album, I Inside the Old Year Dying, isn't exactly a musical setting of Orlam's English- and Dorset-dialect poetry; rather, it's an interpretation of the poem with added improvisation. The result is as bizarre and fascinating as one could hope.

C.P.E. Bach: Württemberg Sonatas (6), Wq. 49, Keith Jarrett, piano; Mahler: Symphony No.5, Orchestre symphonique de Montréal, Rafael Payare, cond.; Schubert: Symphonies Nos.5 & 7 (Unfinished), Freiburger Barockorchester, Pablo Heras-Casado, cond.; Robert Schumann: Dichterliebe • Kerner Lieder, Florian Boesch, baritone; Malcolm Martineau, piano.

Arne Jansen/Stephan Braun: Going Home; Joe Farnsworth: In What Direction Are You Headed?; Darcy James Argue's Secret Society: Dynamic Maximum Tension; Dave McMurray: Grateful Deadication 2.

Phaenelagh "Nel" Lenard Burnett is an outlier in a most basic sense: She's a woman who works in hi-fi. For the past several decades—essentially all her adult life—she has immersed herself in running her father's audio business.

Her father is John Lenard Burnett of Lenard Audio, a veteran designer, researcher, and educator whose work has crossed over from recording studios, concert halls, and commercial spaces to hi-fi for the home. The Opal 4-way active loudspeaker system is the senior Burnett's signature product and serves as the foundation of Lenard Audio's hardware and strategic designs.

"When I was a baby, Lenard was the largest manufacturer and supplier of concert PA systems and guitar amps and so on in the Australian market," Nel told me. "Some of my very first memories are of me sitting on his workbench. That was one of my happiest places to be when I was a kid, literally sitting on his work."

The standup bass genius and jazz force of nature Charles Mingus made his first album for Atlantic Records, Pithecanthropus Erectus, in 1956. Several of his most memorable musical masterpieces, including The Clown (1957), Blues and Roots (1960), and Oh Yeah (1962), followed as he intermittently returned to the label throughout the 1960s and early '70s. Beginning in 1974 with Mingus Moves, the cigarillo-chomping, famously gruff Mingus recorded most of his final albums for the label as he progressed from composer/player to wheelchair-bound writer and musical director. His final seven studio albums for the label and a single LP of outtakes, all freshly remastered, comprise this welcome 8-LP (or 7-CD) box-set addition to the Mingus oeuvre.