J. Gordon Holt

J. Gordon Holt  |  May 08, 2018  |  First Published: Dec 01, 1969  |  6 comments
The first time we saw an AR amplifier (at a Hi-Fi Show), we were struck by its bland, almost antiseptic appearance. Amidst all those other audio products that looked as though they had been high-styled for Madame's boudoir, the unadorned simplicity of the AR amplifier made it stand out like an Eames chair at Williamsburg.
J. Gordon Holt  |  May 08, 2018  |  First Published: Dec 01, 1970  |  6 comments
Pentangle: The Pentangle
Terry Cox (drums), Bert Jansch & John Renbourn (guitars), Jacqui McShee (vocals), Danny Thompson (double bass), Shel Talmy, prod.
Transatlantic TRA162 (English LP), Reprise RSLP63 15 (US LP). TT: 30:52.

The first "pop" recording we've ever reviewed in Stereophile may set a precedent for future reviews if there are others that sound like this. To this untutored ear, the material is rock out of raga, but it is beautifully done and, except for the larger-than-life singer, the sound is almost shockingly good. No filthy fuzzed-up guitars here, and the pickup of the double-bass simply has to be heard to be believed. Get it, at least as a demo.

J. Gordon Holt  |  Apr 10, 2018  |  First Published: Jul 01, 1971  |  1 comments
Early pre-recorded cassettes were so shockingly variable that reviews of their sound would have served no purpose. Some later ones are remarkably good, though. Following are some recordings that we have found to combine excellent performance and superb recordings, some on cassette as well as LP:
J. Gordon Holt  |  Apr 03, 2018  |  First Published: Oct 01, 1972  |  6 comments
Lincoln Mayorga: Lincoln Mayorga & Distinguished Colleagues Vol.II
Lincoln Mayorga, arranger, harpsichord, piano.
Lincoln Mayorga, Doug Sax, prods.; Bill Schnee, eng.; Sherwood Sax, design engineer.
Sheffield Lab S-10 (LP).

Ever wonder just how much sound quality is lost by recording stuff on tape before making a disc? Here's your answer. This program of soft rock and cool jazz arrangements was recorded straight from studio to disc, and the sound is incredible! Suddenly, a veil that we never realized was there has been lifted, and we had the feeling we were listening to a direct-wire transmission rather than to a recording. We're not at all sure we will ever feel quite the same again about any. other recording, such is the dramatic difference in transparency and cleanness.

J. Gordon Holt  |  Mar 13, 2018  |  First Published: Dec 01, 1973  |  12 comments
Rachmaninoff: Symphonic Dances, Vocalise
Dallas Symphony Orchestra, Donald Johanos, cond.
Turnabout TV-54145S (LP). David B. Hancock, eng.; Tom Mowrey, Musical Supervision, Recording Director. TT: 41:18.

Not a new recording, and one that has already received raves in all the other audiophile publications, but if Stereophile is the only such magazine you read, you'd just better know about it, for this is the definitive symphonic recording to date.

J. Gordon Holt  |  Mar 08, 2018  |  First Published: Jun 01, 1993  |  1 comments
Sony's first CD player, the much-maligned CDP-1 (reviewed in Vol.5 No.10), did all the things we'd been promised from CD except deliver perfect sound. It met CD's incredible claims for frequency range and linearity, harmonic and intermodulation distortion, and signal/noise ratio, yet—despite my own initial enthusiasm for it—it proved ultimately to be a disappointing-sounding player (footnote 1). Its sound was rather hard and grainy, and quite spectacularly uninvolving to listen to. But considering that it was the first of its kind, it was a good start despite its many sonic shortcomings (footnote 2).
William Marsh, J. Gordon Holt  |  Dec 05, 2017  |  First Published: Sep 01, 1975  |  0 comments
The King's Singers: A Contemporary Collection
Works by Peter Dickinson, Malcolm Williamson, Richard Rodney Bennett, Krzystof Penderecki, Paul Patterson
EMI EMD 5521 (UK LP). MMG Records MMG 1142 (US LP). 1975. Christopher Bishop, prod.

Astounding performances! Every piece here was commissioned by the King's Singers, those six English gentlemen whose vocal artistry surely has never been surpassed. The works here are by Peter Dickinson, Malcolm Williamson (recently appointed by HRH Elizabeth II to the post of Master of the Queen's Musick, succeeding the late Sir Arthur Bliss), Richard Rodney Bennett, Krzystof Penderecki, and Paul Patterson.

J. Gordon Holt  |  Nov 09, 2017  |  First Published: Aug 01, 1987  |  1 comments
Founded in the mid-1970s, Acoustat was the first manufacturer of full-range electrostatics literally forced to address what had long been a major weakness of such speakers: high-voltage breakdown, or "arcing." The original design was built and used in JP (Jeep) Harned's home, where the living-room french windows opened out onto a stream in the back yard. That, plus Florida's legendary humidity, conspired to produce summer days when moisture would trickle down every vertical surface in the house, including the speaker elements.
J. Gordon Holt  |  Oct 31, 2017  |  First Published: Mar 01, 1977  |  0 comments
Direct From Cleveland
Orchestral works by De Falla, Bizet, Tchaikovsky, Berlioz
The Cleveland Orchestra, Lorin Maazel (cond.)
Telarc 5020 DD1 (LP). Robert Woods, prod.; Jack Renner, sound eng.; Glenn Glancy, Michael Bishop, disc-cutting engs.

Potentially the best news for perfectionists in years is the announcement of the first stereophonic direct-to-disc recording (in the US, at least) of a major symphony orchestra. Advent records of Cleveland, in collaboration with Discwasher, Inc. of Columbia, MO put four complete and usable runsthrough onto two sets of lacquers. The program was a collection of potboilers—what Sir Thomas Beecham used to call "lollypops"—much of it musically rather trivial, but all ideally suited for demonstrating what a no-holds barred recording can do in terms of sonics: works with bass drum, percussion, deep double-bass material, rich string sonorities" and so on.

J. Gordon Holt  |  Oct 03, 2017  |  First Published: Apr 01, 1978  |  3 comments
This is more to my liking than the other records I review this month! Side 1 is devoted entirely to a real humdinger of a thunderstorm, replete with rain, thimble-sized hailstones, and five minutes of someone diddling with a set of wind chimes. Side 2 is four sequences in the saga of Steam Locomotive 4449, which was refurbished from rusty decrepitude to haul the bicentennial Freedom Train 28,000 miles around the continent.

Pages

X